Category: Collaborations - the work of Jen Raven

the work of Jen Raven

Dia de los Muertos 2018

10/28/2018

For many years now, models Brenda Lucero and Lucy Cruz have been including Todd and me in their annual celebrations of Dia de los Muertos, or Day of the Dead. This year's collaborations were both managed and directed by Lucy and Brenda, who handled all of the research, scheduling, wardrobe, accessories, props, and design themselves. All I had to do this year was paint, and edit. Saved me a lot of energy. Thank you Brenda and Lucy!

This year was especially fun because I got to paint Brenda's daughters. They both did great on set, and I had a blast working with them.

Photographer Todd Powers * Sugar Skulls Jen Raven
Editing Jen Raven & Todd Powers
Wardrobe & Hair Brenda Lucero
Direction & Design Lucy Cruz

I love these kids so much --and so does the camera!

I love the way these girls love each other. At one point Todd caught some beautiful shots of them playing on set. These are my favorites of the entire shoot.

This year's DdlM shoots were also special because they included photographer Fortino Alvarez --in front of the camera, for a change, rather than behind it.

Photographer Todd Powers * Sugar Skull Jen Raven
Editing Jen Raven & Todd Powers
Models Lucy Cruz and Fortino Alvarez
Direction, Design, Wardrobe Lucy Cruz

Model Brenda Lucero knocked it out of the park this year, with her powerful and personal tribute to her beloved Aunt Rosie, who recently passed away. Brenda sketched out an original design for her Sugar Skull, which included the dandelions art that Brenda and I have been using in our ongoing series, "Fly Away Home."

Slideshow of "Fly Away Home" can be viewed in my Forward Motion Gallery.

Brenda shared with us her fond memories of playing BB guns with Aunt Rosie, on her Grandparent's ranch. Rosie loved all of her nieces and nephews, enjoyed playing with them and loved to spoil them. Brenda asked us if it would be ok to include BB guns as props, in Rosie's memory. Also especially for Rosie, we included extra roses, her Father's Sombrero, and a rose ring, gifted to Brenda from Rosie eleven years ago.

Sometimes these shoots make me tear up a little. They are so personal and beautiful. I am honored to be included in these lovely tributes.

Photographer Todd Powers * Sugar Skull Jen Raven
Editing Jen Raven & Todd Powers
Model Brenda Lucero * Direction, Design, Wardrobe, Properties Brenda Lucero

Thank you Brenda, for allowing us to collaborate with you on such a personal project! We love you!

Pain2 Exhibit, USC Keck School of Medicine

8/26/2017

In September, I will be joining an encore 'Pain' themed exhibit, hosted by the USC Keck School of Medicine. The original 'Pain' themed exhibit, in 2014, was hosted by The Gallery at the LRC, the David Geffen School of Medicine, UCLA.

This is a mail-in exhibit, so we don't get the artwork back when it comes down. Inexpensive creation is key: I re-purposed a cereal box to create a fold-up mailer, which will protect my work on it's way to USC Keck School of Medicine.

A little packing tape; a little gesso; we're in business.

'Fly Away Home' is an ongoing collaboration that I've been creating with model Brenda Lucero. We began this project in 2016; this project is dedicated to the memory of Brenda's little brother, Johnny. I am grateful to Brenda for her friendship, her talent, and her courage in sharing this personal pain with the world, through our art.

'Fly Away Home' ongoing series, beginning December 2016
Photographers Jen Raven and Todd Powers * Model Brenda Lucero
Body Art, Backdrop Art Jen Raven * Rain Backdrop Todd Powers
Wardrobe/MUA Brenda Lucero * Editing Jen Raven and Todd Powers

More information about 'Pain2' on Facebook
'Pain2' exhibit runs Sept. 1 through Oct. 27.

There are more dandelion-themed body-art works
and dandelion-themed paintings in my galleries.

Update! Photos are coming in from the exhibit, at Keck School of Medicine USC!

Video on Facebook

The Bee Keepers: Clothed in Blue

2/27/2016

'Borderline'
Direction; Design; Backdrops; Wardrobe; Body Art Jen Raven
Photography; Lighting; Body Art; Editing Todd Powers
Makeup Design; Hair Styling Ande Castaneda
Concepts Model Aileth Bran
"The Bee Keepers" Project; Venetus Series
Collaborative Concept Photography

We share our planet with nearly 20,000 known species of bees. Study of these creatures continues to reveal further connections between bees and people; Humanity does not stand apart from these petite wonders of our natural world. We rise and fall, together.

Partnerships between humans and bees attest to this reality. Our symbiotic relationships with the bees has evolved over thousands of years, and it is commonly stated; if they go, we go. As pollinators, bees are vital in our massive efforts toward food production, a fact we understand only too well, in California’s Central Valley. Habitat loss, rising temperatures, varroa mites, neonicotinoids and other pesticides --such combined factors threaten the stability of bee populations, increasing likelihood of Colony Collapse Disorder, and thus threatening food production --threatening our own populations, in turn.

We seek to highlight the connections between humans and bees, through this collection of fanciful chimeras, hybrid bee-human inceptions incorporating visual elements which speak to the intimacy of humankind’s relationships with, and within, our natural world.

'Glitch'
Direction; Design; Backdrops Jen Raven
Photography; Lighting; Body Art; Editing Todd Powers
Concepts Model April Musick
"The Bee Keepers" Project; Venetus Series
Collaborative Concept Photography

Our 'Glitch' set is a focus on our damaged ecosystems, and the resultant experimentation with mechanized pollinators, which we might need to fill the gap created by bee colony collapse. Todd and I had a lot of fun playing with the visual elements; tilted, separated canvases to suggest a break in our ecosystems; heavy contrast paired with bleaching of colors, suggestive of interference/static; gear and circuit board body art for the robo-bees we may come to depend on, in the future.

'Regina' Set, March 2016
Direction; Design; Backdrop; Wardrobe; Body Art Jen Raven
Photography; Lighting; Body Art; Editing Todd Powers
Makeup Design; Hair Styling Ande Castaneda
Concepts Model Jessica Bertrand
"The Bee Keepers" Project; Venetus Series

So many test shoots in such a short time: Our team has made a real effort, over these last nine months, to learn new techniques and test new ideas with each shoot. We've come a long way! In order to further raise awareness about CCD, our team made the decision to show all of our in-progress work on social media; even when our tests didn't turn out as planned.

Behind-the-Scenes: Test Shoot 'Blue Bee Four'
with Todd Powers, Ande Castaneda, Jen Raven, Aileth Bran

Blue Bee Test: December 2015
Photographer Todd Powers
Body Art Todd Powers, Jen Raven
Backdrop Jen Raven
Model Aileth Bran
MUAH Ande Castaneda

The Bee Keepers: An ongoing collaborative project in conceptual photography
Series One: Venetus (“clothed in blue.”)

Contributing Artists:

Jen Raven (Direction; Design; Backdrops; Wardrobe; Body Art) is an artist in acrylics, assemblage, and the performance arts. She holds a degree in English Literature; her awards include an Arts in the Community Grant from the Arts Council of Kern, and three consecutive Empty Space Awards for Best Gallery Exhibit. Raven has most recently exhibited with Bunny Gunner Gallery, Claremont; The Gallery at the LRC, UCLA Geffen School of Medicine; and Cactus Gallery, Los Angeles. http://www.jenraven.com

Todd Powers (Photography; Lighting; Body Art; Editing) is a concepts photographer with a fine arts background. He studied printmaking, figure-drawing, painting and sculpture at Bakersfield College. Powers has exhibited his photography with Loft Beats, Pomona; Erns Lab, Upland; and with The Gallery at the LRC, UCLA Geffen School of Medicine. His work has been published in Bakotopia Magazine, The Bakersfield Californian, and Fashion Bombshell. http://toddpowersphotography.weebly.com/

Ande Castaneda (Makeup Design; Hair Styling) is a Bakersfield native, working in Southern California. A self taught makeup artist and formally trained photographer, she also holds four various certifications, two Associate's degrees, and is working toward her first Bachelor's degree in English, as well as her Cosmetology license. Her work can be seen in music videos, blogs, movies, and magazines internationally. http://www.andecastaneda.com/

Jessica Alicia Bertrand (Model) lives and works in Southern California. She is best known for her work as a Tattoo Model, though she is adept in various genres, including Art, Nude, and High Fashion. Jessica's recent publications include Tattoo Erotica (International) Magazine, and a book, "The World's Best Tattoo Models" (Akos Banfalvi). Her performance works include The Rendezvous event, several music videos, and a short fan film, "Camp Crystal Lake," Directed by Rickey Bird. Quality time with family is a priority in Jessica's life. In addition to modeling and family, Jessica works full time as a Neuro Rehab Specialist.
To book Jessica for modeling, film, or event: email jessica_b1988@live.com
Jessica on Facebook: www.facebook.com/jessicaaliciabertrand .

Aileth Bran (Model) is a Art/Alternative model living in Bakersfield CA, where she collaborates with many locally-known fine artists, including Todd Powers, Alex Castaneda, Jen Raven and Crysco Nabisco. Her most recent public appearances include the HeArts and Hair for Down Syndrome Runway Show with Atomic Kitten Salon at The Nile, Bakersfield, Oct. 2015. Her work has been published in Project OH! and in Surreal Beauty, Magazines. In addition to modeling, Aileth is an emerging fine artist in acrylics, a four-time participant in the Mental Health Art Show, Bakersfield, and she is currently seeking her tattoo apprenticeship.
Aileth's Modeling Portfolio: http://thegirlwiththewhitehair.tumblr.com/
Fine Art Portfolio: https://www.facebook.com/AilethBran/.

April Musick (Model) is a fine arts model living and working in the Central Valley. She works as a figure model through Project OH! Magazine, in addition to interning for the publication at their local office. April collaborates routinely with many locally-known fine artists, including Todd Powers, Alex Castaneda, and Rusty Hatfield, whose work can be seen from Las Vegas to Dubai, UAE. When April isn't modeling, she enjoys spending time with animals, gardening, and practicing yoga. You can see her collaborative work with other artists at behance.net/rustyhatfield

'Bloom'
Direction; Design; Backdrop; Wardrobe; Body Art Jen Raven
Photography; Lighting; Body Art; Editing Todd Powers
Makeup Design; Hair Styling Ande Castaneda
Concepts Model Jessica Bertrand
"The Bee Keepers" Project; Venetus Series
Collaborative Concept Photography

Our first series in this project, Venetus, is so named for “The color of our planet from far, far away,” to borrow from Regina Spektor. ‘Blue Lips’ was playing, as I was in studio one evening, sketching bees. “Blue. The Most Human Color” stuck in my mind like a mantra, and continued to persist as the project took shape. Our creative team began lighting tests on various body art concepts, late summer 2015, and the project began to evolve from there.

Blue Bee Test: December 2015
Photographer Todd Powers
Body Art Todd Powers, Jen Raven
Backdrop Jen Raven
Model April Musick

Chimara Test: September 2015
Photographer Todd Powers
Body Art Todd Powers, Jen Raven
Model April Musick

It's been especially fun working with model Jessica Bertrand, who discovered she was pregnant, only weeks into the project! Jessica cheerfully agreed to continue working with us, and allow us to capture her gradual transformation, which is wonderful visually and works so well with our project's theme. More sets with Jessica will be released as the project continues.

Safe With Me Test: October 2015
Photographer Todd Powers
Body Art Todd Powers
Wardrobe Jen Raven
MUAH Ande Castaneda
Model Jessica Bertrand

Dressed in Yellow Test: September 2015
Photographer Todd Powers
Body Art Todd Powers
Wardrobe Jen Raven
MUAH Ande Castaneda
Model Jessica Bertrand

Most of my individual work in body painting has lately been themed upon bees, as well. I'm hoping to incorporate some of my traditional brushwork into a future set, in our Bee Keepers series. Stay tuned!

Thank you, Bee Keepers test models: Lucy Cruz; Brenda Lucero; Jessica Franco; Solstice Henna; Jasmine Cervantes; Kaitlin Elisabeth; Theresia Amber; Aileth Bran. Photos by Todd Powers.

Tiny Treasures X

11/5/2015

So many good things in progress right now --Yay!

It's been an especially busy week at The Raven's Nest; we continue to work through photo tests of body painting and costumes for our ongoing project, The Bee Keepers. In addition to this, I am delighted to report that I will be joining Cactus Gallery's annual tiny works exhibit, "Tiny Treasures X." Exhibit runs November 14 through December 23.

For this exhibit, I've created a new body of tiny works, titled "In Life." I've borrowed this title from the quote, "In life, we are in death;" I am always appreciative of this reminder to live each day to the fullest. These are functional artworks --wearable hair and clothing accessories which have bar pins and/or alligator clips on back.

Also for this exhibit at Cactus Gallery, I've added three new tiny works to my ongoing series, "Flight."

I am a lifelong fan of the works of Roald Dahl. My tiny work "A Golden Phizzwizard" is a nod to Dahl's "The BFG." If you have not read about The Big Friendly Giant, pick up a copy and read it with your kids; it's terrific fun!

"A Golden Phizzwizard" measures 3x3" and has a sawtooth hanger on back.

Also for "Tiny Treasures X" are works "We Get By (with a little help from our friends)" and also "Guess What (chicken butt!)."

"We Get By (with a little help from our friends)" measures 4.5x3.5" and has a sawtooth hanger on back. "Guess What (chicken butt!) measures 2.5x3" and also has a sawtooth hanger:

Included, in this busy week; Todd and I have been working with our neighbor, Terri, and with model Aileth Bran, to find homes for two scrappy little survivors we've dubbed Zack and Dragon:

Above: Model Aileth Bran wearing a creation by Jen Raven, and posing with kittens Dragon (orange, left) and Zack (brown, right).

Their mother was a feral; the litter was abandoned; a stray dog attacked the litter: Only two of the five kittens survived the attack --somehow they managed to escape unscathed, and Terri eventually found them, hiding in her grapevines. Terri is fostering them and providing for their Veterinary care; Todd and I have given them Dawn dish soap flea baths, as they were too young for flea medication; and we are now working with Terri to find forever homes for these adorable little fuzzbutts. Model Aileth Bran volunteered to pose with them, this week, in order to help us get the word out.

Model Aileth Bran wearing creations by Jen Raven, posing with kitten, Zack.

Both of these adorable kittens are five weeks old, male, and have had their first Vet visit and first shots. They are free of worms and fleas; their current foster, Terri, has pledged to pay for additional anti-parasite treatments AND will pay to have them neutered, when they are old enough. If you would like to meet one of these little cuties, and perhaps give him a forever home, please contact Terri at 661. 833. 2675. Thank you!

Below: Aileth Bran models "In Life" pieces, created by Jen Raven.

An afternoon in Upland

8/21/2015

Selections from our concept photo series Pas de Berlin are now on exhibit with Erns Lab, a new arts space in Upland! Also on exhibit are several of my recent acrylic works, and my creepy creatures in cages.

Erns Lab, the latest brainchild of artist Erns Valdez, is an eclectic creative environment, offering a photography studio, equipment rental, and studio space. The Lab will also be hosting classes, workshops and small private shows and events.

The Captain. The Bat. The Lab.
Artists Erns Valdez and Todd Powers

Erns, an award winning gallery director (and producer of the Mindclouder Music Festival) has recently relocated his arts business from Pomona to Upland. His last arts space, Loft Beats, was voted 'Best Gallery in the I.E.' two years running by Inland Empire Weekly. We loved working with Loft Beats in Pomona, and we believe Erns Lab will prove an equally rewarding experience.

This exhibit will run now through September 24, and every Thursday Erns Lab is open for the Farmer's Market in Historic Downtown Upland, so if you're in the area, be sure to check it out!

Stay tuned for more on our collaborations with Erns; we've got big plans for the future!

Forward Motion

2/21/2015

On February 20th, as part of my exhibit with UCLA Geffen School of Medicine, I gave a talk to the students, in the Gallery at the Learning Resource Center. Below, are some of the notes from my talk, re-worked into a blog. Photos of the talk, portfolio photos of my artwork, and work from our Pas de Berlin series are courtesy of Todd Powers.

My name is Jen, I am a professional artist, and I live with Lupus and Fibromyalgia.
I became symptomatic at age sixteen; I was diagnosed at twenty-seven, and I have since spent the last ten years learning how to navigate a relationship with my illness.

That it is a relationship, or that it can be seen in that light, is a fairly new concept for me; in the early years following diagnosis, I approached Lupus more as a battle to be fought, and initially this was helpful to me (it’s far better to fight, than it is to simply give up). But recently, I’ve been learning how to engage this facet of my life in a more productive manner.

I continue to be surprised at how helpful it actually is --helpful for me and for those around me-- to actively engage this subject: It is helpful to paint about my illness, write about it, talk about it, create conversations about all the ways this illness influences my life and my choices on every level.

For too many years, I’d deliberately avoided doing any of that --Lupus was already taking so much of my time, and I resented it. Lupus had already stolen so much of what used to be my life, and I was angry about it. I wasn’t willing to give her anything she wasn’t already taking from me, by force. I didn’t even want to talk about it.

It took me a long time to see the extent to which my relationships with my illness reflected my relationships with myself, right down to the avoidance, the anger, and the resentment. I realized then, that I had a lot more to work on than just the physical aspects of chronic illness: I needed to do more work on myself, as a person --and along the way I discovered that doing this kind of work, to better myself emotionally, resulted in my doing better, physically. Intrigued, I continued along these lines, and have since continued to improve.

Through my work (painting, writing, assemblage, and collaborations), I began to explore the ways my illness was re-shaping, and forcing me to more closely examine, all of my relationships --with my body, within my mind, and also, my relationships with others.

My relationship with my body

‘The Lines Unread’ belongs to my Silence series. This body of work examines the ongoing transformations in my life, and my work, as a result of living with Lupus and Fibromyalgia.

The works in this series are all mixed-media; inclusions of graphite and ink are particular allusions to loss of function in my hands. Before my illness, pencil and pen were my tools of choice; as my illness progressed, use of such fine instruments became more difficult and painful.

At that time, I let go of keeping a daily sketchbook and handwritten journal, and turned instead to more abbreviated art forms, which required less use of my hands --abstract sketches in crayon, and spoken word --performance poetry.

In addition to the figurative sketches in ink and pencil, many of the works in this series have my poetry written in pencil, ink, or both, beneath or between the layers of acrylic gesso and paint. ‘The Lines Unread’ is the title of my poem, within the painting, bearing the same name.

My relationship with my mind

'‘To Anger’ is part of my Dine-in,Take-out series. The origins of this series reside in a loose collection of abstract crayon sketches, created in 2004 and 05 --the time when my function was most impaired, and sketching often required controlling a single crayon with both hands. Economy of line was critical,

requiring me to work in more direct, less detailed, techniques. Such blunt visual communications left me little space to equivocate, and forced me to terms with emotions long interred, and issues which I had been previously unable to tackle with any honesty.

Lupus and Fibromyalgia forced me to stop --physically and mentally-- for the first time, in my life. Before chronic illness, I had not realized the extent to which I was being driven, by my own pain, anger, and avoidance. The crayon sketches helped me to work through some of that. In 2011, recreating the crayon sketches into paintings helped me to work through a bit more. Writing about this series, at the present, I find myself doing that work, yet again.

My relationships with others

‘The Fruits of Self-Compassion’ belongs to my ongoing narrative series, Reaching. Unlike the works of previous series, which look to the past, Reaching is firmly established in the present, with an eye to the future. The characters in this series express forward motion --reaching for that which is higher, within themselves and in their environments.

As visual elements, the exaggerated shapes and sizes of the hands in these works communicate the complicated relationship I have with my own hands: I no longer take my hands for granted.

I am keenly aware, day-to-day, of what my hands can do --I find myself carefully planning each day’s activities, and routinely mapping out entire weeks or even months in advance; I do this not only to make the best use of my hands, but also to allow for energy levels, mental acuity, and pain management.

There was a time when I didn’t think I’d ever regain function, especially not to this extent. I am deeply grateful for this, and always mindful of what it means, to have hands, and to be able to use them.

Also present in this series are themes of growth, from within. Each of the works in Reaching is inspired, in part, by a particular relationship in my life, which has endured and grown stronger in spite of, or because of, my illness. Life with chronic illness has taught me many valuable lessons, including who my true friends are, and what my true priorities have become. I have also learned how to ask for help; that has never been easy for me. More importantly, I've learned how to receive help --not the same thing.

Forward Motion

In addition to my ongoing solo projects in acrylics and assemblage, I've begun a series of collaborative concept photography projects, with fellow artists in various fields who also seek to tackle painful personal issues through their work.

These collaborations have been highly rewarding: Through these projects, we seek to encourage a determination, within ourselves as well as others, toward courage, healing, and forward motion.

Photos on exhibit with Forward Motion include selections from Pas de Berlin, a series in concept photography, spanning twelve months of collaborative work themed on a seven stage model of the grief and healing process.

The full series guides our viewers through eight different landscapes, breaking down the various stages of grief into visual elements, and creating a narrative of courageous recovery.

Currently on exhibit, are photographs from two of our eight separate sets: Efface, a dance terminology ('shadowed'), describes the frightening pain and guilt often referred to as the second stage of seven; Epaulement ('shouldering') explores the fourth stage --heavy feelings of sad reflection, isolation, and depression.

Pas de Berlin Contributing Artists:

Jen Raven ~ Creative Direction, Concept Artist, Costumes, Properties
Todd Powers ~ Photography and Editing
Ande Castaneda ~ Makeup and Hair Artist
Berlin ~ Dancer / Model

Special thanks to Ted Meyer, Artist in Residence at UCLA Geffen School of Medicine; and to LuAnn WIlkerson, Assistant Dean of Education, UCLA Geffen School of Medicine.

Artist Jen Raven, and LuAnn WIlkerson, Assistant Dean of Education, UCLA Geffen School of Medicine.

Epaulement and Avant

12/29/2014

More photos from our 'Pas de Berlin' collaboration project, including the creation of Berlin's custom choker, cuff, and 'wings' which followed her through all three looks:

'Epaulement' set, 'Pas de Berlin' series 2014
model Berlin * photographer Todd Powers * MUAH Ande Castaneda
costumes, properties, accessories Jen Raven * concept direction provided by Jen Raven

Creating the choker and cuff accessories for Berlin's costumes:

'Avant' set, 'Pas de Berlin' series 2014
model Berlin * photographer Todd Powers * MUAH Ande Castaneda
costumes, properties, accessories Jen Raven * concept direction provided by Jen Raven

We shot all three of these looks, on two different locations, in one day ~in truth, it was a very long day. To compliment the costume changes, MUA Ande Castaneda also created beautiful, unique concept makeups for each of the three separate looks:

As always, I had plenty of assistance from the Studio Cats:

Follow the links to see more photos from our 2014 'Pas de Berlin' collaboration:
'Danseuse' set
'Joyeux' set
'Coda' set
Behind the Scenes, 'Pas de Berlin'
About the Artists: 'Pas de Berlin'

Evolution of a dress

12/13/2014

'Danseuse' set, 'Pas de Berlin' series 2014
model Berlin * photographer Todd Powers * MUAH Ande Castaneda
armor by Todd Powers * dress and shoes Jen Raven * concept direction provided by Jen Raven

Preparation for the 'Danseuse' set of our 'Pas de Berlin' series began several months in advance of the shoot itself. One of my greater concerns was safety: I wanted Berlin to pose en pointe for at least part of this set, which was to be shot outdoors --not an easy task, on its own. To avoid possible injury to Berlin, we decided to lighten the weight of the dress, and shorten the hems (of all seven skirts) by seven or eight inches. It killed me, the thought of cutting up such a lovely dress!

Model Berlin tries the dress with the pointe shoes for the first time. We all agree; the dress is too long and heavy for pointe work, especially outdoors, on uneven ground. The hems must be sheared.

Flashback: Todd and I discovered this dress at a local Goodwill in 2007, and it's been a useful addition to the costume closet ever since --from the Kern River to the cover of Bakotopia Magazine, this dress has been there, done that.

photos by Todd Powers
models Jen Raven, Devin Riane, Jaden Snow

I was loath to cut up such a pretty dress, and wanted to pull a few more great shoots out of it, before getting out the scissors. We asked model Lucy Cruz to do a final shoot with Todd, and I also asked Ande Castaneda to get a shoot in, with model Berlin.

Kern River Shoot
photographer Todd Powers
model Lucy Cruz

After Lucy and Todd were done with the Kern River shoot, the dress was beyond filthy. We gave it a hot shower, then soaked it in the tub with boiling water, laundry detergent, and oxy-clean. After repeated rinses, we wrangled the soaking dress onto a custom Berlin-shaped dress form, to dry. We had created the custom form a few weeks prior:

For our purposes, we made some changes to the recommendations given in this Threads tutorial. We used crumpled newsprint instead of poly-fill, for example. And we fitted a length of PVC pipe in the center, before closing it up at the base.

After the dress dried on the form, it was sparkly-white and fit Berlin's waist like a glove. One more shoot with the pretty dress, as-is, before the alterations:

Thank you, Ande!
Chaise Lounge Shoot
Photographer and MUAH Ande Castaneda
Model Berlin

A lot of work went into the alterations. Close to ten inches came off the hems (all seven hems), and even more came out of the front left side. I airbrushed the dress using fabric paints, and sewed nearly a dozen silk flowers just above the cut. We decided to paint the pointe shoes white, so that they would show up better on camera. After some experimenting with different paints on an older pair, I decided on Wolfe FX body paint in white; it performed the best out of all the paints I had to hand.

Day of shoot: Todd and Berlin nailed it. Our months of preparation totally paid off, and I was doing a happy dance behind the scenes.

'Danseuse' set, 'Pas de Berlin' series 2014
model Berlin * photographer Todd Powers * MUAH Ande Castaneda
armor by Todd Powers * dress and shoes Jen Raven * concept direction provided by Jen Raven

Behind-the-Scenes video of model Berlin, directed and produced by Ande Castaneda

Just before the opening for 'Pas de Berlin' at the TES Gallery, Todd further altered the dress and armor, to fit Lucy Cruz, who modeled the costume at the reception. He added black fabric paint to the dress, and new armor fittings.

Pas de Berlin Reception Shoot
Photographer Todd Powers
Model Lucy Cruz
Armor by Todd Powers

Evolution of a skirt

11/28/2014

Leading up to our shoot in Cambria, I had been working on this skirt, on and off, for over a year. And what a fantastic end result! With the right model, MUA, and photographer, a year of piecing and sewing is made well worth the effort.

'Joyeux' set, 'Pas de Berlin' Series 2014
model Berlin * photographer Todd Powers * MUAH Ande Castaneda
scale mail Todd Powers * skirt Jen Raven * concept direction provided by Jen Raven

But long before the construction of this skirt began, the fabric itself was being weathered for me by an unsuspecting army of models; the yardage for both underskirt and over-skirt have provided background,

property, and costume elements for dozens of Todd's photo shoots over the last seven years. This yardage has been through every kind of shoot, from studio to location; this fabric has been dragged through the dirt, drowned in the Kern River, wrapped around models, tacked against two-by-fours, and hung from the rafters.

I often prefer that my costume fabrics be properly worn and weathered before I begin construction; I like the way they drape, and move, after they've experienced the world a bit and have developed some character of their own. There are ways to speed up the weathering process in the shop or studio, but given how much shooting Todd does, it's easier for me to toss my yardage into his props bins, and let the Todd and the models take it from there.

After removing areas that were a bit over-worn, or torn, and cutting out the largest pieces for the two main sections of the over skirt: The smaller and connecting portions of the over skirt were pieced together using scraps culled from the remaining lace yardage. Over sixty different bits of lace were pieced together, to create the entire over skirt, which also has ribbon channels sewn into the front and back, so that it may be ruched higher for a different look. The three-tiered tail addition to the skirt, which is detachable, required an additional two dozen pieces of lace yardage for it's overlay. All of the trim was sewn on by hand. A black cotton underskirt, beneath the blue polyester skirt, provides stability and comfort for the entire garment --three skirts in all.

Of course, Studio Cat had her part to play, in this costume's construction:

I set out to create an elaborate costume piece that would adjust, to fit many different sizes; the side laces can be drawn tight or let out, and the box pleats in back can easily be let out or taken in; the waist in the cotton underskirt is quilted, partly due to the piecing of the lace yardage on top; this waist is strong, and holds basting stitches easily, so there is no damage to the outer skirts. Also, for the purposes of this shoot, the hem of the skirt was raised a full six inches --again, easily done thanks to the cotton underskirt, and no damage done to the delicate, weathered polyester. This skirt stood up to a romp in the ocean and the climb of a massive boulder, on location:

BTS: 'Pas de Berlin ' team on location in Cambria, Ca 2014
photographer Todd Powers * model Berlin * MUAH Ande Castaneda
scale mail Todd Powers * skirt and accessories Jen Raven
concept direction provided by Jen Raven

'Joyeux' set edits, 'Pas de Berlin' series 2014. photos and editing by Todd Powers

Want more? Full collection of BTS photos from 'Pas de Berlin' here!
Read more about this year-long project here and here!

Todd creating the scale mail top for our 'Joyeux' set

Eye Spy . . .

11/24/2014

'Coda' was the final segment in our 'Pas de Berlin' series, and my preparation for this shoot began months in advance. A backdrop canvas had to be painted; set and costume pieces had to be built, schedules had to be coordinated. After the shoot, the set and costume lilies were dis-assembled and re-made, into individual works of art, for the gallery exhibit.

Portfolio shots of my Lily creations by Todd Powers:

Lilies on display in the gallery, with the artwork:

In-studio creation of the lily vines; individual elements are altered, painted, assembled, and then re-assembled:

On set, day of shoot: Backdrop and props are set up, just before Model Berlin arrives in makeup, courtesy of our skilled makeup artist, Ande Castaneda. Berlin has to be further altered with body paint, moss, costume vines and lilies, before the shoot begins:

'Coda' was shot in three separate segments: First, Berlin becomes acquainted with Lily, representative of her hard-fought, and hard-sought, transformation (she is 'seeing' her pain, recognizing and accepting it). Next, we remove the Lily prop as Berlin dances, embodying the Lily spirit (relying on dance, she works her way though the pain). Finally, Berlin is re-created; now a fierce, powerful Lily, she is stronger for having embraced and accepted all parts of herself -both light, and dark (by taking ownership of her pain and grief, she also gains control over these strong energies; she now has the skills to bend those strong energies to her own will, use them as she sees fit).

'Coda' Set, 'Pas de Berlin' series 2014 *model Berlin * photographer Todd Powers * MUAH Ande Castaneda
costume, accessories, properties by Jen Raven * concept direction provided by Jen Raven

"I found I was able to be comfortable using the movements of my dancing experience to draw emotion into my modeling. It was rather healing. I took a step back and realized in some aspect this (modeling) is like dancing. In ballet or lyrical, whether I was having a good day or bad, I would portray that into my choreography, and how ever you may have danced that day, your raw emotions poured out for everyone to see, who understood. In some shoots I found myself crying or tearing up after, it was like a performance I poured my heart into, a performance that was rather healing for me. This was the right way to heal, the method I’d been searching for. I began to eat right, exercise, travel, I met some amazing people (from the art community) who continue to stay by my side, and most of all I began to heal, to sleep again at night, to forgive myself, to just. be. happy. for myself. I genuinely still am. I didn’t realize how dead I was as a person until I met the right people who set me down a better path. I am forever grateful. Art does save."

~excerpt from 'A Broken Recovery' by Berlin

We named the final shot of the final set 'Coda' and it was used in creating the event graphics for advertizing the exhibit:

I am so very grateful that I had the opportunity, to experience this marvelous, year-long collaboration. What an amazing team. What an uplifting experience it has all been!

See more behind-the-scenes photos and video from this collaboration here!

Pas de Berlin: Behind the Scenes

11/9/2014

Our exhibit opens this weekend at The Empty Space Gallery, and we can finally share all of our behind-the-scenes photos, collected over the last twelve months!
This has been an incredible adventure. I love these people, I've loved working with them, and I'm so grateful for the opportunity to collaborate with them on this project.

Behind-the-Scenes photos from location shoots two, three, and four,
Hart Park, CA. April 2014:

BTS photos from location shoots seven and eight,
Cambria, CA. September 2014:

BTS photos from in-studio shoots one, five, six, and nine,
The Raven's nest, CA. Nov. '13 - Oct. '14:

Lovely Behind-the-Scenes video footage captured and edited by Ande Castaneda:

'Pas de Berlin' Photography Exhibit
Photographer: Todd Powers
Model: Berlin
Makeup and Hair Artist: Ande Castaneda
Concept Direction, Costume and Set Design: Jen Raven

Read more about this exhibit here!

Pas de Berlin: A Year in Photos

11/7/2014

'Pas de Berlin' is a unique collection of concept photography, captured by photographer Todd Powers. Spanning twelve months of work themed on tragedy, courage, and recovery, this body of work creates for the viewer a stunning visual narrative, following the progress of a young woman, Berlin.

As she dances her way through a series of eight different landscapes, each representing a new stage in her journey, Berlin boldly takes on the grieving process, and breaks it down into visual elements, determined not only to heal herself, but also, hopefully, to help others who are grieving find peace, as well.

This innovative team is rounded out by makeup and hair artist Ande Castaneda, with concept direction provided throughout by Jen Raven. Together, they have created a body of work which chronicles twelve months of collective curative exploration.

For more information about this series, including behind-the-scenes photos:

Epaulement and Avant Sets
Danseuse Set
Joyeux Set

Behind the Scenes

'Pas de Berlin' exhibit photography by Todd Powers
Model Berlin - MUAH Ande Castaneda - Concept Direction provided by Jen Raven

Artist Bios:

Jen Raven is an artist in acrylics, assemblage, and the performance arts. She holds a degree in English Literature; her awards include an Arts in the Community Grant from the Arts Council of Kern, and three consecutive Empty Space Awards for Best Gallery Exhibit. Raven has most recently exhibited with Bunny Gunner Gallery in Claremont, Loft Beats Gallery in Pomona, and The Gallery at the LRC, UCLA Geffen School of Medicine.

Todd Powers is a concepts photographer with a fine arts background. He studied printmaking, figure-drawing, painting and sculpture at Bakersfield College. Powers has exhibited his photography with Loft Beats, Pomona Arts Colony, and with The Gallery at the LRC, UCLA Geffen School of Medicine. His work has been published in Bakotopia Magazine, The Bakersfield Californian, and Fashion Bombshell.

Berlin is a dancer, model, and Biology major at San Diego City College, studying toward becoming an Emergency Room Physician. She has had over eight years of formal dance training in various styles, with a focus on ballet and lyrical. Berlin has appeared in several publications, including ICING Magazine, and continues to work as a model throughout Southern California.

Ande Castaneda is a Bakersfield native, working in Southern California. A self taught makeup artist and formally trained photographer, she also holds four various certifications, two Associate's degrees, and is working toward her first Bachelor's degree in English (with Single Subject Prep), as well as her Cosmetology license. Her work can be seen in music videos, blogs, movies, and magazines internationally.

Lovely Behind-the-Scenes video footage captured and edited by Ande Castaneda:

November 7, 2014: The Empty Space Gallery will open an exhibition to the public featuring The transformative photography of Todd Powers.

'Pas de Berlin' is a unique collection of concept photography, spanning twelve months of work themed on tragedy, courage, and recovery. This body of work creates for the viewer a stunning visual narrative, following the progress of a young woman, Berlin, as she dances her way through a series of eight different landscapes, each representing a new stage in her journey.

A local photographer, who studied Art at Bakersfield College, Powers says he prefers concepts to any other form of photography; "I find concepts to be creatively satisfying, and enjoy the challenge of communicating ideas visually --allowing elements within the photo tell a story, through sets, costumes, lighting, and body language." In this, Powers says he is fortunate to be working with model Berlin, whose skills as a dancer (trained in ballet and lyrical styles) lend extra dimension to her performance as a model. Says Powers, "She knows how to translate her strong emotions into movements. That's a valuable skill for a concept model."

In creating this body of work, Powers also collaborated with makeup artist Ande Castaneda, who cleverly combined both traditional beauty, and high concept looks, to stunning effect on model Berlin. "I had been looking for an opportunity to color outside the lines a bit," Castaneda jokes. The fourth and final artist to take part in this project, Jen Raven, expressed gratitude for this opportunity to work with such a dynamic team. In addition to providing concept direction throughout, Raven created many of the costumes, accessories, and properties for the shoots --some of which will be on display in the gallery.

Exhibit runs November 7th through the 29th, 2014.

Please join us in celebration of 'Pas de Berlin' at our artist reception on Saturday, November 15, from 2-5pm. There will be music, refreshments, and a short video segment of one of the shoots, created by Ande Castaneda.

Dia de los Muertos 2014

11/1/2014

Photos above: Dia de los Muertos 2014
Photographers Todd Powers and Ande Castaneda
Models Berlin and Lucy Cruz
Hair Styles by Jen Raven and Ande Castaneda
Makeup Artist Ande Castaneda
Body Art and Hair Accessories by Jen Raven
Wardrobe by Jen Raven and Lucy Cruz
Special thanks to Fortino Alvarez

Photo left: BTS with artist Jen Raven and model Lucy Cruz
Photo below: BTS with Fortino Alvzrez, Todd Powers,
Jen Raven, Ande Castaneda, Berlin, Lucy Cruz

I love the shoots that Ande has dubbed "Play Dates," when we get together as a group, create and learn with one another, and have a lot of fun along the way! Many thanks to Todd, Ande, Berlin, Lucy, and Fortino.

Costume armor collaboration

6/23/2014

Over the last six months, Todd has been teaching himself the art of crafting costume armor pieces out of foam. He's starting to get pretty good at it, and he's just received his first commission request.

I am collaborating with Todd on this project; we discussed what our client requested, and I drafted a master pattern for the arm guards, which I then copied onto a square of canvas, to create a sturdy template.

Todd will use the template to cut and mold foam pieces for the arm guards; he will do the majority of the work on them, from here.

Progress photos, drafting the pattern:

Todd is nearly finished with the arm guards. His progress:

The arm-guards are nearly finished.

It's time for me to step in again, and help complete the guards. Studio Cat is on hand, to supervise.

Before I stitch the pleather trim together to form straps, I'm sure to wipe a bit of silicone spray over the top of the trim, so that the pleather doesn't catch on the presser foot and wreck the tensions --and break my machine. I learned that lesson the hard way, a few years back!

After the pleather becomes straps, I sew on the buckles, then we sew and epoxy the straps to the guards. We add grommets to the straps, Todd pops in the LED lights, and Studio Cat gives her final approval. The project is complete and the client is ready for Labyrinth Masquerade!

More progress photos:

Rawr! Client Claire Rock is ready for the Labyrinth Masquerade.

Follow Todd on Facebook, to see more costume armor and other projects.

Follow my Facebook page, to see more of Studio Cat.

pay attention to me! sized on Make A Gif

make animated gifs like this at MakeAGif

"I'm so much cuter than that costume armor. Pay attention to ME."

'PAIN' Group Exhibit

6/22/2014

dropping my work at the P.O. in April

My first Los Angeles exhibit -and I'm so excited! This is a mail-in exhibit, with participants sending in work from around the world --Asia, Europe, South America, as well as all over the USA and Canada.

'PAIN' group exhibit, curated by Ted Meyer, is hosted by The Gallery at the LRC, the David Geffen School of Medicine, UCLA. In the slide show; my shown works are #90 and #91.

In April, I had postcards created through my PIXELS page, of a few paintings that fit this theme, and I also printed two photos from my first concept shoot as director, which also fit the theme. Below, a slideshow of how I prepared a few of my works for mailing, and another from the day of the exhibit opening:

I also created some new work to wear, for the opening reception. "We get by with a little help from our friends" seemed appropriate, given the overall theme of the exhibit.

"PAIN"runs May 7 through August 30th, 2014, at the David Geffen School of Medicine, UCLA.

'PAIN' group exhibit was also covered by U Magazine, UCLA.

For more information on this exhibit, please visit The Gallery at the LRC.

A Long Way to Somewhere

2/2/2014

In May of 2013, I had the pleasure of working with model Jin n' Tonic, for a body painting photo project we titled 'Dandelion.' I was inspired to continue with the dandelion theme on canvas, and early this year I finished 'Long Way to Somewhere' (acrylic on canvas 10x8"):

'A long way to somewhere' is an homage to the poet David Whyte.; this line was taken from his work, 'Glentrasna,' which spoke to me on a very personal level, as I worked my way through the project. An excerpt from this poem wound up on the project board, and kept me inspired in the weeks leading up to the shoot.

". . . and horizons held their own unspoken promise,
that grief could be its own cure . . .

. . . as if even the sharpest pain
could be a long way to somewhere after all . . ."

~David Whyte, excerpt from 'Glentrasna'

On a personal level, working with the dandelion theme over the past six months has been wonderfully healing. I'm so grateful for paint; for poetry; for people.

Slideshow: Progression of 'Long Way to Somewhere' (May 24, 2013 - January 1, 2014):

Progression photos of 'long way to somewhere' by Jen Raven
Portfolio photos of 'long way to somewhere' by Todd Powers

One

1/6/2014

Update! Photos from my collaboration work "One" with Todd Powers and Alala Archer have joined a new group arts exhibit, "PAIN" at the David Geffen School of Medicine at UCLA, in the Gallery at the LRC .

Chickens appear often in my work.

Born with wings, but rarely given the chance to fly, they represent deep, often unsatisfied longing, for that which cannot be --for paths not taken; for unrealized dreams; for unrequited love.

I've recently had the opportunity to play with my theme of chickens in a new medium: Concept Photography.

I've been working with Todd (my husband) on his photography projects for many years, as a set dresser, designer, and manager, as a body painter and costumer. I enjoy this work; it provides opportunities to stretch my creative muscles, and think outside the bounds of my usual mediums, the canvas or mixed media.

This was to be my first photo shoot as director. I pitched my concept to Todd, and to model Alala Archer; we all agreed on a test of the concept, to get our minds working.

I collected my supplies and grew the necessary properties for my concept:

For several weeks, lemon seedlings adorned my windowsill.

The day of the test shoot arrived. The "test" however, produced such lovely results --too lovely not to publish. We decided to properly edit this set, and release it:

I have titled this set "One," with a nod to the old axiom:

"Don't put all your eggs in one basket."

'One'
Concept Photography
Photographer: Todd Powers
Model and MUA: Alala Archer
Concept, Direction, and Properties: Jen Raven

With this shoot, I was hoping to do more than continue my theme of broken dreams (represented through chicken imagery); I was also exploring the unexpected opportunities which often arise out of thwarted plans, if one is present enough to be able to see them. As the saying goes; every cloud has a silver lining. In this way, my 'One' series is also a bridge to my 'Dine-In, Take-Out' series:

taming the stash

12/29/2013

Dust is a real problem in Bakersfield; fabrics and other materials often need storage options that will keep the dust out, between projects. For several years, my stash solution was plastic storage bins, on the studio closet shelf:

These bins are heavy and awkward; I found myself avoiding sewing projects, just because I didn't want to wrangle the storage bins. So I decided to make a change.

First, I gave the studio books a new home in another room, to clear the shelf I wanted:

If I want to store my fabrics on a shelf, I need to transform that shelf into a dust-free cabinet. I asked Todd for his input; we decided on clear sliding doors. That way, it would be easy to see what I had on hand.

First, Todd re-purposed some old screen framing into sliding-door tracks:

We used 5-minute epoxy to fix the tracks to the shelf, top and bottom:

A double-row of repurposed screen framing, top and bottom, to hold the doors:

Studio Cat 'helping' with the project:

While Todd and Studio Cat finished the tracks, I pulled plastic sheets from several old poster frames, to create our sliding doors:

We measured and marked the plastic, and then cut it to size with the hot knife. We used a large scrap of old mat board to protect the cut table from the hot knife:

Once the plastic was cut, it fit right into the tracks, no problem.

After cutting, we used the epoxy to fix that scrap of mat board to the back of the shelf, to keep the dust out. Then we moved my fabric stash into its new cabinet:

Now my fabric is eye-level; it's easy to see and reach. The doors slide to either side,
or can be easily removed and replaced, if necessary.

I don't have to wrangle those heavy fabric bins, any more.

This entire project was done in one evening, with re-purposed materials we had on hand. Didn't cost a dime. No more pulling heavy bins down from high shelves.

This project has been approved by Studio Cat.

Dandelion

5/16/2013

Last month's JNT print, 'April Showers.' Photo by Todd Powers

Todd has been working with model Jin n' Tonic on a series of monthly print releases, and they asked me to collaborate on 'May Flowers.' Lisa Klassen-Barnes agreed to bring her skills to the table, and we had a concept meeting in April.

Jin and I agreed that It would have been easy to slap a few roses on her and be done with it; but we wanted something more meaningful.

Dandelion, we discovered, is a significant bloom for both of us, and worthy of a labor-intensive project.

Learning to capture Dandelion. Thank you, Lisa!

Dandelion is an outsider of sorts; a lovely wild flower, wrongly named a weed. Jin and I both appreciate Dandelion as an irreverent, tenacious little survivor --she flies on the wind and blooms wherever she lands; no shame, no apologies.

On the flip side; the Dandelion is tough to capture, visually. She's complicated ... One more reason to like her. I am still new to body painting, especially in color, and I had only ten days to research, sketch, plan . . . and practice, on anyone who would sit still (thank you, Lisa)!

Lisa created a uniquely Dandelion hairstyle.

The day of the shoot arrived, and I was nervous. The group had great energy, though, making it impossible to stay tense.

Lisa created something uniquely wild and beautiful with Jin's hair; And I was able to let myself get lost in the paint. The practice paid off, as I finished painting Jin sooner than I'd anticipated.

To complete her look, Todd air-brushed some blue-green into Jin's hair, and she was ready to go.

Jin, Todd, and Lisa had all been scouting potential locations, in the ten days I was learning Dandelion, so no time was wasted during the shoot, either.

Our collective efforts on this project have really paid off. The finished photos are amazing (see below)!

This has been a terrific collaboration, and I'm grateful to have been a part of it. This is definitely my favorite arts-mischief so far, in 2013!

(above and nsfw) behind the scenes video created by Jin n' Tonic!
(below) slide-show of Jin's four-hour transformation into the Dandelion:

JNT Print "May Flowers" for May 2013!

To view Todd's finished edits from the shoot, please visit
my forward motion gallery, here at jenraven.com.

For more on this project, visit A JNT Blog on Jin's official fan page!

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Dia de los Muertos

11/2/2012

Dia de los Muertos celebration at First Friday Art Walk, Bakersfield CA.

'Once Removed'

10/23/2012

Todd and I had the privilege of working with Actress/MUA Jaden Snow on a very special concepts collaboration; together, we came up with a creative project that would help her process her experiences while surviving (and beating!) thyroid cancer.

Working with a resourceful thespian has it's advantages: Jaden created the horror makeup appliance used in this shoot. She came up with the idea for me to paint tiny fangs beneath her new scar. She also provided the antique sewing machine, the photo from her surgery, and the hospital gown.

"Working with Jen Raven and Todd Powers was cathartic and helped me process what I was going through. Despite not having any control over my health or body, I was able to find my own autonomy through this artistic outlet, and for that, I'm grateful."
~Jaden Snow

'Once Removed' 2012
Photographer Todd Powers
Model/Wardrobe/MUA Jaden Snow
Concept/Body Art Jen Raven Properties Jaden Snow and Jen Raven

a whole new form of take-out

10/7/2012

"Every act of creation is first of all an act of destruction."
~Pablo Picasso

It began with a wall.

A creative wall, that is, and one that I was eager to break through. I've been longing to finish up my current series, and move on to new things; but for one reason or another, I've been stuck --both on, and off, the canvas.

The take-out box has been for what you take with you, from your experiences in life. Dine In, Take Out. I've enjoyed playing with that idea.

The TV has been for the deliberate numbing, or drowning out, of that which you've taken, but you aren't ready to 'digest.' But lately, the TV has come to represent more of a cycle, for me; I worked on these same three pieces all summer, and I'd paint in the figures, only to paint them out, over and over again. I began to see the absurd in my creating, only to destroy, these three paintings ... I wasn't really getting anywhere.

The layers of gesso are really starting to pile up on these guys.

Whenever it goes thus for too long, I put aside my painting, and play with assemblage instead. Todd knows how much I love random found objects, and that's why he surprised me with the forks, which of course I loved, and put to good use:

These tiny silver forks are begging to become wearable art.

I'm a great believer in Serendipity, and this instance is no exception. The fork is an excellent visual representation for being 'Done!' -and I've really enjoyed playing with this whole new form of take-out; I feel that it mirrors my own situation perfectly. The time has come, it says, to clear your plate, so that you may be excused from the table. Release what is no longer necessary, and make room for new adventures.

Time to take this show on the road!

I've really let myself enjoy the forks, and I'm happy to say they've worked their way into my acrylics, as well.

The time has come, to push back from the table and say "No more Jell-O for me, Ma!"

I was ready to let the forks carry me to the finish line in 2012. What I wasn't prepared for, was the way other people would respond to the forks, and embrace the idea of being Done:

It seems I'm not the only one who's had a transformational year --I'm in good company, with folks who are ready to clean their plates and ask for dessert. They are quitting old jobs and finding new careers; they are finishing up college degrees or taking classes for the first time; they are putting aside old heartaches and beginning new relationships.

They are saying 'Done' to the old, and making room for the new. Just being in their company has been energizing. I'm now feeling ready to tackle my studio full of half-finished paintings, and get some things Done, myself.

It ended with a wall:

We gathered for one last shot in front of the yellow wall, on the corner of 19th and Eye, to say "Stick a fork in me; I'm DONE!" What are you done with, as 2012 begins to wind down? What new adventures are you ready to make room for, in your life?

This photo above: David Karnowski Photography
All other photos: Todd Powers Photography

"Shiva is that aspect of the divine which is both creation and destruction -- the cosmic dancer who dances the universe into existence and non-existence at the same time, and outside of time." ~Sheila Chandra

Finished at last! 'Holding Pattern' 2012 triptych, acrylic on canvas 12x14" x3

'Stick a fork in me, I'm done!'
Special thanks to: Todd Powers, Poet Bakersfield, David Karnowski, Lavinia Marigold, Zack Forker, Devin Riane, Sarah Purdy, Robin Jonesensteinowitz, Katie Campbell, Jesse Arenas, Lisa Klassen-Barnes and Brenden Barnes, Allyce Owens, Lisa Bell, Natalie Ray, Fortino Alvarez, Lucy Cruz, Tsunami McCorvey, Jessica Franco, Christinev Bayb, Baby Lilli, Tabitha Paige Bruner, Brenda Saucedo.

Wolfe FX test: Valerie Vickers

5/20/2012

We are so grateful to model Valerie Vickers for volunteering her time -and talent- toward our study of body painting! Todd and I both learned a lot from this test shoot.

Thank you, Valerie!

Catch model Valerie Vickers on Facebook.

Wolfe FX Test: Devin Riane

4/25/2012

I'm so grateful to model Devin Riane, for all the hours she has cheerfully volunteered herself as a human canvas toward my study of body painting.

Thank you, Devin!

Catch Devin Riane at ModelMayhem and PushModels.

Wolfe FX test: Jessica Franco

3/22/2012

How grateful we are, to model Jessica Franco, for volunteering her time and talents toward our study of body painting! I learned a great deal from this test paint, and Todd also learned a few new things with the test shoot.

Jessica was quite patient. She sat very still, for over four hours, as I learned some new designs; then she modeled her paint for Todd on a test shoot as well.

Thank you, Jessica!

Catch model Jessica Franco on Facebook and at ModelMayhem.