Category: Body Art - the work of Jen Raven

the work of Jen Raven

Dia de los Muertos 2018

10/28/2018

For many years now, models Brenda Lucero and Lucy Cruz have been including Todd and me in their annual celebrations of Dia de los Muertos, or Day of the Dead. This year's collaborations were both managed and directed by Lucy and Brenda, who handled all of the research, scheduling, wardrobe, accessories, props, and design themselves. All I had to do this year was paint, and edit. Saved me a lot of energy. Thank you Brenda and Lucy!

This year was especially fun because I got to paint Brenda's daughters. They both did great on set, and I had a blast working with them.

Photographer Todd Powers * Sugar Skulls Jen Raven
Editing Jen Raven & Todd Powers
Wardrobe & Hair Brenda Lucero
Direction & Design Lucy Cruz

I love these kids so much --and so does the camera!

I love the way these girls love each other. At one point Todd caught some beautiful shots of them playing on set. These are my favorites of the entire shoot.

This year's DdlM shoots were also special because they included photographer Fortino Alvarez --in front of the camera, for a change, rather than behind it.

Photographer Todd Powers * Sugar Skull Jen Raven
Editing Jen Raven & Todd Powers
Models Lucy Cruz and Fortino Alvarez
Direction, Design, Wardrobe Lucy Cruz

Model Brenda Lucero knocked it out of the park this year, with her powerful and personal tribute to her beloved Aunt Rosie, who recently passed away. Brenda sketched out an original design for her Sugar Skull, which included the dandelions art that Brenda and I have been using in our ongoing series, "Fly Away Home."

Slideshow of "Fly Away Home" can be viewed in my Forward Motion Gallery.

Brenda shared with us her fond memories of playing BB guns with Aunt Rosie, on her Grandparent's ranch. Rosie loved all of her nieces and nephews, enjoyed playing with them and loved to spoil them. Brenda asked us if it would be ok to include BB guns as props, in Rosie's memory. Also especially for Rosie, we included extra roses, her Father's Sombrero, and a rose ring, gifted to Brenda from Rosie eleven years ago.

Sometimes these shoots make me tear up a little. They are so personal and beautiful. I am honored to be included in these lovely tributes.

Photographer Todd Powers * Sugar Skull Jen Raven
Editing Jen Raven & Todd Powers
Model Brenda Lucero * Direction, Design, Wardrobe, Properties Brenda Lucero

Thank you Brenda, for allowing us to collaborate with you on such a personal project! We love you!

Pain2 Exhibit, USC Keck School of Medicine

8/26/2017

In September, I will be joining an encore 'Pain' themed exhibit, hosted by the USC Keck School of Medicine. The original 'Pain' themed exhibit, in 2014, was hosted by The Gallery at the LRC, the David Geffen School of Medicine, UCLA.

This is a mail-in exhibit, so we don't get the artwork back when it comes down. Inexpensive creation is key: I re-purposed a cereal box to create a fold-up mailer, which will protect my work on it's way to USC Keck School of Medicine.

A little packing tape; a little gesso; we're in business.

'Fly Away Home' is an ongoing collaboration that I've been creating with model Brenda Lucero. We began this project in 2016; this project is dedicated to the memory of Brenda's little brother, Johnny. I am grateful to Brenda for her friendship, her talent, and her courage in sharing this personal pain with the world, through our art.

'Fly Away Home' ongoing series, beginning December 2016
Photographers Jen Raven and Todd Powers * Model Brenda Lucero
Body Art, Backdrop Art Jen Raven * Rain Backdrop Todd Powers
Wardrobe/MUA Brenda Lucero * Editing Jen Raven and Todd Powers

More information about 'Pain2' on Facebook
'Pain2' exhibit runs Sept. 1 through Oct. 27.

There are more dandelion-themed body-art works
and dandelion-themed paintings in my galleries.

Update! Photos are coming in from the exhibit, at Keck School of Medicine USC!

Video on Facebook

The Bee Keepers: Clothed in Blue

2/27/2016

'Borderline'
Direction; Design; Backdrops; Wardrobe; Body Art Jen Raven
Photography; Lighting; Body Art; Editing Todd Powers
Makeup Design; Hair Styling Ande Castaneda
Concepts Model Aileth Bran
"The Bee Keepers" Project; Venetus Series
Collaborative Concept Photography

We share our planet with nearly 20,000 known species of bees. Study of these creatures continues to reveal further connections between bees and people; Humanity does not stand apart from these petite wonders of our natural world. We rise and fall, together.

Partnerships between humans and bees attest to this reality. Our symbiotic relationships with the bees has evolved over thousands of years, and it is commonly stated; if they go, we go. As pollinators, bees are vital in our massive efforts toward food production, a fact we understand only too well, in California’s Central Valley. Habitat loss, rising temperatures, varroa mites, neonicotinoids and other pesticides --such combined factors threaten the stability of bee populations, increasing likelihood of Colony Collapse Disorder, and thus threatening food production --threatening our own populations, in turn.

We seek to highlight the connections between humans and bees, through this collection of fanciful chimeras, hybrid bee-human inceptions incorporating visual elements which speak to the intimacy of humankind’s relationships with, and within, our natural world.

'Glitch'
Direction; Design; Backdrops Jen Raven
Photography; Lighting; Body Art; Editing Todd Powers
Concepts Model April Musick
"The Bee Keepers" Project; Venetus Series
Collaborative Concept Photography

Our 'Glitch' set is a focus on our damaged ecosystems, and the resultant experimentation with mechanized pollinators, which we might need to fill the gap created by bee colony collapse. Todd and I had a lot of fun playing with the visual elements; tilted, separated canvases to suggest a break in our ecosystems; heavy contrast paired with bleaching of colors, suggestive of interference/static; gear and circuit board body art for the robo-bees we may come to depend on, in the future.

'Regina' Set, March 2016
Direction; Design; Backdrop; Wardrobe; Body Art Jen Raven
Photography; Lighting; Body Art; Editing Todd Powers
Makeup Design; Hair Styling Ande Castaneda
Concepts Model Jessica Bertrand
"The Bee Keepers" Project; Venetus Series

So many test shoots in such a short time: Our team has made a real effort, over these last nine months, to learn new techniques and test new ideas with each shoot. We've come a long way! In order to further raise awareness about CCD, our team made the decision to show all of our in-progress work on social media; even when our tests didn't turn out as planned.

Behind-the-Scenes: Test Shoot 'Blue Bee Four'
with Todd Powers, Ande Castaneda, Jen Raven, Aileth Bran

Blue Bee Test: December 2015
Photographer Todd Powers
Body Art Todd Powers, Jen Raven
Backdrop Jen Raven
Model Aileth Bran
MUAH Ande Castaneda

The Bee Keepers: An ongoing collaborative project in conceptual photography
Series One: Venetus (“clothed in blue.”)

Contributing Artists:

Jen Raven (Direction; Design; Backdrops; Wardrobe; Body Art) is an artist in acrylics, assemblage, and the performance arts. She holds a degree in English Literature; her awards include an Arts in the Community Grant from the Arts Council of Kern, and three consecutive Empty Space Awards for Best Gallery Exhibit. Raven has most recently exhibited with Bunny Gunner Gallery, Claremont; The Gallery at the LRC, UCLA Geffen School of Medicine; and Cactus Gallery, Los Angeles. http://www.jenraven.com

Todd Powers (Photography; Lighting; Body Art; Editing) is a concepts photographer with a fine arts background. He studied printmaking, figure-drawing, painting and sculpture at Bakersfield College. Powers has exhibited his photography with Loft Beats, Pomona; Erns Lab, Upland; and with The Gallery at the LRC, UCLA Geffen School of Medicine. His work has been published in Bakotopia Magazine, The Bakersfield Californian, and Fashion Bombshell. http://toddpowersphotography.weebly.com/

Ande Castaneda (Makeup Design; Hair Styling) is a Bakersfield native, working in Southern California. A self taught makeup artist and formally trained photographer, she also holds four various certifications, two Associate's degrees, and is working toward her first Bachelor's degree in English, as well as her Cosmetology license. Her work can be seen in music videos, blogs, movies, and magazines internationally. http://www.andecastaneda.com/

Jessica Alicia Bertrand (Model) lives and works in Southern California. She is best known for her work as a Tattoo Model, though she is adept in various genres, including Art, Nude, and High Fashion. Jessica's recent publications include Tattoo Erotica (International) Magazine, and a book, "The World's Best Tattoo Models" (Akos Banfalvi). Her performance works include The Rendezvous event, several music videos, and a short fan film, "Camp Crystal Lake," Directed by Rickey Bird. Quality time with family is a priority in Jessica's life. In addition to modeling and family, Jessica works full time as a Neuro Rehab Specialist.
To book Jessica for modeling, film, or event: email jessica_b1988@live.com
Jessica on Facebook: www.facebook.com/jessicaaliciabertrand .

Aileth Bran (Model) is a Art/Alternative model living in Bakersfield CA, where she collaborates with many locally-known fine artists, including Todd Powers, Alex Castaneda, Jen Raven and Crysco Nabisco. Her most recent public appearances include the HeArts and Hair for Down Syndrome Runway Show with Atomic Kitten Salon at The Nile, Bakersfield, Oct. 2015. Her work has been published in Project OH! and in Surreal Beauty, Magazines. In addition to modeling, Aileth is an emerging fine artist in acrylics, a four-time participant in the Mental Health Art Show, Bakersfield, and she is currently seeking her tattoo apprenticeship.
Aileth's Modeling Portfolio: http://thegirlwiththewhitehair.tumblr.com/
Fine Art Portfolio: https://www.facebook.com/AilethBran/.

April Musick (Model) is a fine arts model living and working in the Central Valley. She works as a figure model through Project OH! Magazine, in addition to interning for the publication at their local office. April collaborates routinely with many locally-known fine artists, including Todd Powers, Alex Castaneda, and Rusty Hatfield, whose work can be seen from Las Vegas to Dubai, UAE. When April isn't modeling, she enjoys spending time with animals, gardening, and practicing yoga. You can see her collaborative work with other artists at behance.net/rustyhatfield

'Bloom'
Direction; Design; Backdrop; Wardrobe; Body Art Jen Raven
Photography; Lighting; Body Art; Editing Todd Powers
Makeup Design; Hair Styling Ande Castaneda
Concepts Model Jessica Bertrand
"The Bee Keepers" Project; Venetus Series
Collaborative Concept Photography

Our first series in this project, Venetus, is so named for “The color of our planet from far, far away,” to borrow from Regina Spektor. ‘Blue Lips’ was playing, as I was in studio one evening, sketching bees. “Blue. The Most Human Color” stuck in my mind like a mantra, and continued to persist as the project took shape. Our creative team began lighting tests on various body art concepts, late summer 2015, and the project began to evolve from there.

Blue Bee Test: December 2015
Photographer Todd Powers
Body Art Todd Powers, Jen Raven
Backdrop Jen Raven
Model April Musick

Chimara Test: September 2015
Photographer Todd Powers
Body Art Todd Powers, Jen Raven
Model April Musick

It's been especially fun working with model Jessica Bertrand, who discovered she was pregnant, only weeks into the project! Jessica cheerfully agreed to continue working with us, and allow us to capture her gradual transformation, which is wonderful visually and works so well with our project's theme. More sets with Jessica will be released as the project continues.

Safe With Me Test: October 2015
Photographer Todd Powers
Body Art Todd Powers
Wardrobe Jen Raven
MUAH Ande Castaneda
Model Jessica Bertrand

Dressed in Yellow Test: September 2015
Photographer Todd Powers
Body Art Todd Powers
Wardrobe Jen Raven
MUAH Ande Castaneda
Model Jessica Bertrand

Most of my individual work in body painting has lately been themed upon bees, as well. I'm hoping to incorporate some of my traditional brushwork into a future set, in our Bee Keepers series. Stay tuned!

Thank you, Bee Keepers test models: Lucy Cruz; Brenda Lucero; Jessica Franco; Solstice Henna; Jasmine Cervantes; Kaitlin Elisabeth; Theresia Amber; Aileth Bran. Photos by Todd Powers.

Forward Motion

2/21/2015

On February 20th, as part of my exhibit with UCLA Geffen School of Medicine, I gave a talk to the students, in the Gallery at the Learning Resource Center. Below, are some of the notes from my talk, re-worked into a blog. Photos of the talk, portfolio photos of my artwork, and work from our Pas de Berlin series are courtesy of Todd Powers.

My name is Jen, I am a professional artist, and I live with Lupus and Fibromyalgia.
I became symptomatic at age sixteen; I was diagnosed at twenty-seven, and I have since spent the last ten years learning how to navigate a relationship with my illness.

That it is a relationship, or that it can be seen in that light, is a fairly new concept for me; in the early years following diagnosis, I approached Lupus more as a battle to be fought, and initially this was helpful to me (it’s far better to fight, than it is to simply give up). But recently, I’ve been learning how to engage this facet of my life in a more productive manner.

I continue to be surprised at how helpful it actually is --helpful for me and for those around me-- to actively engage this subject: It is helpful to paint about my illness, write about it, talk about it, create conversations about all the ways this illness influences my life and my choices on every level.

For too many years, I’d deliberately avoided doing any of that --Lupus was already taking so much of my time, and I resented it. Lupus had already stolen so much of what used to be my life, and I was angry about it. I wasn’t willing to give her anything she wasn’t already taking from me, by force. I didn’t even want to talk about it.

It took me a long time to see the extent to which my relationships with my illness reflected my relationships with myself, right down to the avoidance, the anger, and the resentment. I realized then, that I had a lot more to work on than just the physical aspects of chronic illness: I needed to do more work on myself, as a person --and along the way I discovered that doing this kind of work, to better myself emotionally, resulted in my doing better, physically. Intrigued, I continued along these lines, and have since continued to improve.

Through my work (painting, writing, assemblage, and collaborations), I began to explore the ways my illness was re-shaping, and forcing me to more closely examine, all of my relationships --with my body, within my mind, and also, my relationships with others.

My relationship with my body

‘The Lines Unread’ belongs to my Silence series. This body of work examines the ongoing transformations in my life, and my work, as a result of living with Lupus and Fibromyalgia.

The works in this series are all mixed-media; inclusions of graphite and ink are particular allusions to loss of function in my hands. Before my illness, pencil and pen were my tools of choice; as my illness progressed, use of such fine instruments became more difficult and painful.

At that time, I let go of keeping a daily sketchbook and handwritten journal, and turned instead to more abbreviated art forms, which required less use of my hands --abstract sketches in crayon, and spoken word --performance poetry.

In addition to the figurative sketches in ink and pencil, many of the works in this series have my poetry written in pencil, ink, or both, beneath or between the layers of acrylic gesso and paint. ‘The Lines Unread’ is the title of my poem, within the painting, bearing the same name.

My relationship with my mind

'‘To Anger’ is part of my Dine-in,Take-out series. The origins of this series reside in a loose collection of abstract crayon sketches, created in 2004 and 05 --the time when my function was most impaired, and sketching often required controlling a single crayon with both hands. Economy of line was critical,

requiring me to work in more direct, less detailed, techniques. Such blunt visual communications left me little space to equivocate, and forced me to terms with emotions long interred, and issues which I had been previously unable to tackle with any honesty.

Lupus and Fibromyalgia forced me to stop --physically and mentally-- for the first time, in my life. Before chronic illness, I had not realized the extent to which I was being driven, by my own pain, anger, and avoidance. The crayon sketches helped me to work through some of that. In 2011, recreating the crayon sketches into paintings helped me to work through a bit more. Writing about this series, at the present, I find myself doing that work, yet again.

My relationships with others

‘The Fruits of Self-Compassion’ belongs to my ongoing narrative series, Reaching. Unlike the works of previous series, which look to the past, Reaching is firmly established in the present, with an eye to the future. The characters in this series express forward motion --reaching for that which is higher, within themselves and in their environments.

As visual elements, the exaggerated shapes and sizes of the hands in these works communicate the complicated relationship I have with my own hands: I no longer take my hands for granted.

I am keenly aware, day-to-day, of what my hands can do --I find myself carefully planning each day’s activities, and routinely mapping out entire weeks or even months in advance; I do this not only to make the best use of my hands, but also to allow for energy levels, mental acuity, and pain management.

There was a time when I didn’t think I’d ever regain function, especially not to this extent. I am deeply grateful for this, and always mindful of what it means, to have hands, and to be able to use them.

Also present in this series are themes of growth, from within. Each of the works in Reaching is inspired, in part, by a particular relationship in my life, which has endured and grown stronger in spite of, or because of, my illness. Life with chronic illness has taught me many valuable lessons, including who my true friends are, and what my true priorities have become. I have also learned how to ask for help; that has never been easy for me. More importantly, I've learned how to receive help --not the same thing.

Forward Motion

In addition to my ongoing solo projects in acrylics and assemblage, I've begun a series of collaborative concept photography projects, with fellow artists in various fields who also seek to tackle painful personal issues through their work.

These collaborations have been highly rewarding: Through these projects, we seek to encourage a determination, within ourselves as well as others, toward courage, healing, and forward motion.

Photos on exhibit with Forward Motion include selections from Pas de Berlin, a series in concept photography, spanning twelve months of collaborative work themed on a seven stage model of the grief and healing process.

The full series guides our viewers through eight different landscapes, breaking down the various stages of grief into visual elements, and creating a narrative of courageous recovery.

Currently on exhibit, are photographs from two of our eight separate sets: Efface, a dance terminology ('shadowed'), describes the frightening pain and guilt often referred to as the second stage of seven; Epaulement ('shouldering') explores the fourth stage --heavy feelings of sad reflection, isolation, and depression.

Pas de Berlin Contributing Artists:

Jen Raven ~ Creative Direction, Concept Artist, Costumes, Properties
Todd Powers ~ Photography and Editing
Ande Castaneda ~ Makeup and Hair Artist
Berlin ~ Dancer / Model

Special thanks to Ted Meyer, Artist in Residence at UCLA Geffen School of Medicine; and to LuAnn WIlkerson, Assistant Dean of Education, UCLA Geffen School of Medicine.

Artist Jen Raven, and LuAnn WIlkerson, Assistant Dean of Education, UCLA Geffen School of Medicine.

Eye Spy . . .

11/24/2014

'Coda' was the final segment in our 'Pas de Berlin' series, and my preparation for this shoot began months in advance. A backdrop canvas had to be painted; set and costume pieces had to be built, schedules had to be coordinated. After the shoot, the set and costume lilies were dis-assembled and re-made, into individual works of art, for the gallery exhibit.

Portfolio shots of my Lily creations by Todd Powers:

Lilies on display in the gallery, with the artwork:

In-studio creation of the lily vines; individual elements are altered, painted, assembled, and then re-assembled:

On set, day of shoot: Backdrop and props are set up, just before Model Berlin arrives in makeup, courtesy of our skilled makeup artist, Ande Castaneda. Berlin has to be further altered with body paint, moss, costume vines and lilies, before the shoot begins:

'Coda' was shot in three separate segments: First, Berlin becomes acquainted with Lily, representative of her hard-fought, and hard-sought, transformation (she is 'seeing' her pain, recognizing and accepting it). Next, we remove the Lily prop as Berlin dances, embodying the Lily spirit (relying on dance, she works her way though the pain). Finally, Berlin is re-created; now a fierce, powerful Lily, she is stronger for having embraced and accepted all parts of herself -both light, and dark (by taking ownership of her pain and grief, she also gains control over these strong energies; she now has the skills to bend those strong energies to her own will, use them as she sees fit).

'Coda' Set, 'Pas de Berlin' series 2014 *model Berlin * photographer Todd Powers * MUAH Ande Castaneda
costume, accessories, properties by Jen Raven * concept direction provided by Jen Raven

"I found I was able to be comfortable using the movements of my dancing experience to draw emotion into my modeling. It was rather healing. I took a step back and realized in some aspect this (modeling) is like dancing. In ballet or lyrical, whether I was having a good day or bad, I would portray that into my choreography, and how ever you may have danced that day, your raw emotions poured out for everyone to see, who understood. In some shoots I found myself crying or tearing up after, it was like a performance I poured my heart into, a performance that was rather healing for me. This was the right way to heal, the method I’d been searching for. I began to eat right, exercise, travel, I met some amazing people (from the art community) who continue to stay by my side, and most of all I began to heal, to sleep again at night, to forgive myself, to just. be. happy. for myself. I genuinely still am. I didn’t realize how dead I was as a person until I met the right people who set me down a better path. I am forever grateful. Art does save."

~excerpt from 'A Broken Recovery' by Berlin

We named the final shot of the final set 'Coda' and it was used in creating the event graphics for advertizing the exhibit:

I am so very grateful that I had the opportunity, to experience this marvelous, year-long collaboration. What an amazing team. What an uplifting experience it has all been!

See more behind-the-scenes photos and video from this collaboration here!

Pas de Berlin: Behind the Scenes

11/9/2014

Our exhibit opens this weekend at The Empty Space Gallery, and we can finally share all of our behind-the-scenes photos, collected over the last twelve months!
This has been an incredible adventure. I love these people, I've loved working with them, and I'm so grateful for the opportunity to collaborate with them on this project.

Behind-the-Scenes photos from location shoots two, three, and four,
Hart Park, CA. April 2014:

BTS photos from location shoots seven and eight,
Cambria, CA. September 2014:

BTS photos from in-studio shoots one, five, six, and nine,
The Raven's nest, CA. Nov. '13 - Oct. '14:

Lovely Behind-the-Scenes video footage captured and edited by Ande Castaneda:

'Pas de Berlin' Photography Exhibit
Photographer: Todd Powers
Model: Berlin
Makeup and Hair Artist: Ande Castaneda
Concept Direction, Costume and Set Design: Jen Raven

Read more about this exhibit here!

Dia de los Muertos 2014

11/1/2014

Photos above: Dia de los Muertos 2014
Photographers Todd Powers and Ande Castaneda
Models Berlin and Lucy Cruz
Hair Styles by Jen Raven and Ande Castaneda
Makeup Artist Ande Castaneda
Body Art and Hair Accessories by Jen Raven
Wardrobe by Jen Raven and Lucy Cruz
Special thanks to Fortino Alvarez

Photo left: BTS with artist Jen Raven and model Lucy Cruz
Photo below: BTS with Fortino Alvzrez, Todd Powers,
Jen Raven, Ande Castaneda, Berlin, Lucy Cruz

I love the shoots that Ande has dubbed "Play Dates," when we get together as a group, create and learn with one another, and have a lot of fun along the way! Many thanks to Todd, Ande, Berlin, Lucy, and Fortino.

A Long Way to Somewhere

2/2/2014

In May of 2013, I had the pleasure of working with model Jin n' Tonic, for a body painting photo project we titled 'Dandelion.' I was inspired to continue with the dandelion theme on canvas, and early this year I finished 'Long Way to Somewhere' (acrylic on canvas 10x8"):

'A long way to somewhere' is an homage to the poet David Whyte.; this line was taken from his work, 'Glentrasna,' which spoke to me on a very personal level, as I worked my way through the project. An excerpt from this poem wound up on the project board, and kept me inspired in the weeks leading up to the shoot.

". . . and horizons held their own unspoken promise,
that grief could be its own cure . . .

. . . as if even the sharpest pain
could be a long way to somewhere after all . . ."

~David Whyte, excerpt from 'Glentrasna'

On a personal level, working with the dandelion theme over the past six months has been wonderfully healing. I'm so grateful for paint; for poetry; for people.

Slideshow: Progression of 'Long Way to Somewhere' (May 24, 2013 - January 1, 2014):

Progression photos of 'long way to somewhere' by Jen Raven
Portfolio photos of 'long way to somewhere' by Todd Powers

Caught in a river of crinoline skirts

8/13/2013

My first Red Carpet at Costume College!

How did I wind up in this line?!

After five years of watching, this year I jumped in, though not voluntarily: Every year we go down early to catch a good spot, take photos and see the costume parade. This year, I had planned a costume, but didn't finish it in time.

Studio Cat, 'helping' me with my costume, which, partly thanks to all her help, was unfinished in time for CoCo.

I decided to bring my Dia de los Muertos outfit instead, for the night of the Red Carpet, but I was definitely not planning on walking; I just wanted to watch.

Because painting my face took longer than I had planned, we were late to arrive, and it was crowded. We were trying to make our way to the end, where we could catch the best shots; there was a bottleneck at a narrow part of the hall, and somehow I got stuck in the line --definitely not on purpose-- and then I couldn't get out; I was surrounded on all sides by a fast-moving river of crinoline skirts, poufy sleeves, and fantastic wigs.

I was caught between THIS:

And THIS:

I realized that, if I wanted to make a run for it, I'd have to push past someone's beautiful costume and possibly smudge it with my face paint. I was trapped. And where was Todd? He'd escaped ... and he was laughing his ass off, at me. Cameras were snapping everywhere and people were asking me questions about my paint and I realized with horror that I was caught, and in line with some of the most amazing costumes in the room --and I'm wearing a nine dollar dress from Ross.

Coming out of the bottleneck in the hall and realizing, with horror, that I am in the line.

As soon as I could escape, I did. I doubled back to a safe corner where I wouldn't have to worry about getting paint on anyone, and fortunately ran into a few friends, who laughed at my discomfiture, and one of them told me that nobody could see me blushing, because I was wearing paint. Good point.

With Patty at the Red Carpet; her costume is divine!

This experience was especially intimidating to me, because it was the best Red Carpet I've ever seen at CoCo ... or anywhere else, for that matter. I must not have been the only one who thought so, because not long after CoCo was over, one of our more well-known members, Jennifer Rosbrugh, posted this comment on facebook:

"With all the chatter about Costume College & the great weekend we just had, I want to point out that this event is for EVERYONE -beginner & experienced alike. Seems CoCo is producing more & more fabulous hall costumes that can be quite intimidating even for us who've been around the block for years. This was not always the case. The event is for education and sharing, not trying to one-up another costumer. So as you make plans to come in 2014, remember you are very welcome -no matter what your skill level. More info: http://costumecollege.net/ ."

I really appreciated Jennifer's posting that. The parade of awesome is inspiring, but can also be a bit daunting. It's nice to be reminded that we all have to begin somewhere.

Todd and I at our first Costume College, 2007.

In spite of my feeling flustered, it was still a fantastic night:

Caught by Predators in the lobby!

Black and White ... and Red all over.

Hola, amigos!

And then, there was THIS . . .

**head explodes from too much awesome**

Because I made us late, we didn't get photos of all the costumes this year. Fortunately, CoCo has a great Flickr album posted, from that night:
http://www.flickr.com/groups/costumecollege/

There are plenty of other photo collections online as well:

http://historicalsewing.com/costume-college-2013-review

https://www.facebook.com/media/set/?set=a.10151838632082034.1073741826.81722877033&

http://glittersweatshop.typepad.com/sassy_feet_blog/2013/08/a-celebration-of-costumers.html

Dandelion

5/16/2013

Last month's JNT print, 'April Showers.' Photo by Todd Powers

Todd has been working with model Jin n' Tonic on a series of monthly print releases, and they asked me to collaborate on 'May Flowers.' Lisa Klassen-Barnes agreed to bring her skills to the table, and we had a concept meeting in April.

Jin and I agreed that It would have been easy to slap a few roses on her and be done with it; but we wanted something more meaningful.

Dandelion, we discovered, is a significant bloom for both of us, and worthy of a labor-intensive project.

Learning to capture Dandelion. Thank you, Lisa!

Dandelion is an outsider of sorts; a lovely wild flower, wrongly named a weed. Jin and I both appreciate Dandelion as an irreverent, tenacious little survivor --she flies on the wind and blooms wherever she lands; no shame, no apologies.

On the flip side; the Dandelion is tough to capture, visually. She's complicated ... One more reason to like her. I am still new to body painting, especially in color, and I had only ten days to research, sketch, plan . . . and practice, on anyone who would sit still (thank you, Lisa)!

Lisa created a uniquely Dandelion hairstyle.

The day of the shoot arrived, and I was nervous. The group had great energy, though, making it impossible to stay tense.

Lisa created something uniquely wild and beautiful with Jin's hair; And I was able to let myself get lost in the paint. The practice paid off, as I finished painting Jin sooner than I'd anticipated.

To complete her look, Todd air-brushed some blue-green into Jin's hair, and she was ready to go.

Jin, Todd, and Lisa had all been scouting potential locations, in the ten days I was learning Dandelion, so no time was wasted during the shoot, either.

Our collective efforts on this project have really paid off. The finished photos are amazing (see below)!

This has been a terrific collaboration, and I'm grateful to have been a part of it. This is definitely my favorite arts-mischief so far, in 2013!

(above and nsfw) behind the scenes video created by Jin n' Tonic!
(below) slide-show of Jin's four-hour transformation into the Dandelion:

JNT Print "May Flowers" for May 2013!

To view Todd's finished edits from the shoot, please visit
my collaborations gallery, here at jenraven.com.

For more on this project, visit A JNT Blog on Jin's official fan page!

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Dia de los Muertos

11/2/2012

Dia de los Muertos celebration at First Friday Art Walk, Bakersfield CA.

Wolfe FX test: Valerie Vickers

5/20/2012

We are so grateful to model Valerie Vickers for volunteering her time -and talent- toward our study of body painting! Todd and I both learned a lot from this test shoot.

Thank you, Valerie!

Catch model Valerie Vickers on Facebook.

Wolfe FX Test: Devin Riane

4/25/2012

I'm so grateful to model Devin Riane, for all the hours she has cheerfully volunteered herself as a human canvas toward my study of body painting.

Thank you, Devin!

Catch Devin Riane at ModelMayhem and PushModels.

Wolfe FX test: Jessica Franco

3/22/2012

How grateful we are, to model Jessica Franco, for volunteering her time and talents toward our study of body painting! I learned a great deal from this test paint, and Todd also learned a few new things with the test shoot.

Jessica was quite patient. She sat very still, for over four hours, as I learned some new designs; then she modeled her paint for Todd on a test shoot as well.

Thank you, Jessica!

Catch model Jessica Franco on Facebook and at ModelMayhem.

Wolfe FX test: Scarlett Reign

3/16/2012

We are so grateful to model Scarlett Reign, for volunteering her time -and talent- toward our study of body painting! Todd and I both learned a lot from this test shoot.

Thank you, Scarlett!

In addition to being a fabulous model, Scarlett is also a brilliant costume designer,
and she's a lovely dancer as well. So much talent!

She's always up to something new: See more of Scarlett Rein on Facebook.