In August, Cactus Gallery will open for 'Pinocchio's Follies' a group show featuring the work of artist  Joe Alvarez.  Exhibit runs August 12 - September 2.

I've created a small painting for this Pinocchio-themed show. 'Heading' is 4x4" acrylic on a .5" artist-wrapped canvas, and features the character of the Fairy's pet Snail. 
For pre-sale information on this work, contact Sandra Mastroianni at  sandra@cactusgalleryla.com

'Heading'
4x4" acrylic on .5" artist-wrapped canvas
Varnished; sawtooth on back

Carlo Collodi intended the story 'Pinocchio' to be a tragedy. In the original version (1881), Pinocchio dies a gruesome death: hanged for his innumerable faults.  At the request of his editor, Collodi added chapters 16–36, in which the Fairy with Turquoise Hair rescues Pinocchio, and eventually transforms him into a real boy --when he acquires a deeper understanding of himself.*

I can't help but see, in the Pinocchio story, a metaphor --for the situation humanity currently inhabits:  Despite innumerable warnings, from countless scientists, over multiple decades, we continue to rush headlong toward a global catastrophe that we ourselves have created. Within this metaphor; I clearly see the ugly side of humanity represented in the foolish, selfish character of Pinocchio, while science and scientists are embodied in the prudent,  generous Fairy with the Turquoise Hair --a character who repeatedly counsels Pinocchio to improve his ways, providing him with guidance, as well as assistance, on numerous occasions throughout the story.  Humanity may very well have doomed itself, through the ongoing abuse of our planet.  Science may yet provide us with opportunities for a second chance --a chance we may not deserve, any more than Pinocchio did.

In the story; a Snail character provides Pinocchio with opportunities for a second chance, and later in the story, for a chance to give back, to the Fairy who has given him so much.  Pinocchio's acceptance of these opportunities, to make a change for the better, is what ultimately leads him to become 'a real boy' with a better understanding of himself and his place in the world.  I'd like to think that humanity could be like Pinocchio in this sense; I'd like to think that we have the capacity to change, and to take advantage of the opportunities provided us --while there is still time.

*Wikipedia: https://en.wikipedia.org/wiki/The_Adventures_of_Pinocchio

"The Love You Make," A Beatles inspired group show will run: July 22 - August 5, 2017 RECEPTION: Saturday, July 22 * 6p-9p Cactus Gallery, Los Angeles

For this exhibit, artists created works interpreting characters from Beatles songs.  I created three new tiny works, featuring my flying chickens, for 'Across the Universe,' 'Honey Pie' and 'I Get By,' my favorite Beatles song.  For pre-sale information on this work, contact Sandra Mastroianni at  sandra@cactusgalleryla.com

Across the Universe
3.5x3.5" mixed-media 2017

To Bee Where You Belong
4x4" & 4x4" diptych mixed-media 2017

I Get By (with a little help from my friends)
3.25x4.5" mixed-media 2017

My work will be making appearances in two exhibits this month, and both are opening on June 10th.  Bee there, or bee square!

'Bee Squared' and 'Euglossa' will be in Los Angeles, for 'Something Wild in My Garden' and both are available now with Cactus Gallery.   See more photos in the online shop.

'bee squared' 2017
4x4" acrylic on 1" deep artist-wrapped canvas

'Euglossa' 2017
mixed-media sculpture 10”L x 10”H x 17”W

See more works like this one in my gallery.

Stand: 9.5”W x 6.5”L x 20”H

Work-in-progress video of 'Euglossa' creation: 

More videos of Euglossa in-progress can be viewed on my Youtube channel.

Euglossa is a genus of Orchid Bees, or Euglossini.   Euglossa occurs naturally in the Neotropics, from Mexico to Paraguay, also Argentina, Brazil, and Jamaica. 

110 species within genus Euglossa have so far been identified, including Euglossa dilemma.  They are typically bright metallic blue, green, coppery, or golden.

A native of Central America (Costa Rica to Mexico), Euglossa dilemma was first detected in Florida in 2003.  Euglossa dilemma have since been found in Texas as well. 

It is thought that Euglossa dilemma was introduced to the US by accident; perhaps a nest was transported north in a wooden structure such as a pallet. 

Euglossa dilemma are specialized to visit particular species of neotropical orchid; the male uses the fragrances during courtship.  In Florida, Euglossa dilemma have successfully adapted to breed with the presence of any orchid.
(Source Material: Wikipedia)

'Something Wild in My Garden' opens June 10 with Cactus Gallery, Los Angeles and runs through July 15, 2017. 

Exploring the plight of urban wildlife: Many of our furry and feathered friends have been evicted from their habitat by an exploding human population.  In our search for progress, we are destroying their natural environment. In turn wildlife are forced into our residential areas, in order to find food for survival.

Also this month:  My 'In Life' wearable art series will be joining 'All U Can Eat' in Pomona, CA. 

'All U Can Eat' is a curated small-works exhibit, hosted by Bunny Gunnery Gallery. 
Opening with the Second Saturday Art Walk, it will appear at two locations: La Bomba Vintage (195 W. 2nd St.) and DPOA's Metro Gallery (119 W. 2nd St.).  Exhibit runs  June 10 through July 1, 2017.

This work is the newest addition to my ongoing series, 'Reaching' and it will exhibit with Cactus Gallery, Los Angeles, in 'Bad Girls and Outcasts'  opening April 22, 2017.  Visit Cactus online to see the show before it opens!

I've been invited to participate in Cactus Gallery's annual '¡Loteria!' exhibit, in which artists are assigned cards from the Loteria deck as inspiration for original artwork.  I've been given card #31 'Las Jaras' (the arrows) and also, from the older, lesser-known deck, card #87, 'La Plancha' (the iron). 

My work for 'La Plancha' is a nod to activism on behalf of women's rights, and includes a quote often associated with the women's movements in the 1960's; "The personal is the political."  The iron is a tool easily associated with the kinds of work society usually assigns to women --the work that is 'never done' while also largely unrecognized and usually unpaid. 

'La Plancha' is 5x3" watercolor and archival ink on watercolor paper.  The frame I built for this work is permanently attached to the painting, hardware on back.

While sketching out my ideas for 'Las Jaras' I was mindful of a Mexican proverb;
"They tried to bury us.  They did no know we were seeds." 

'Las Jaras' is 12x9" acrylic on composite board (a clip-board with the clip removed), hardware on back. 

'¡Loteria! iii' opens March 11, 2017 with Cactus Gallery, Los Angeles.. 
Shop Cactus Gallery online

'Tiny Treasures X' was my first exhibit with Cactus Gallery, in 2015.  This year's tiny works exhibit will mark my one-year anniversary with the gallery.  Yay! 

Detail, 'Fly Me Away Home'
6x 2.5" mixed media

'To the Moon, Alice!'
6x3" mixed media

'There's No Place Like Home'
5x2.5" mixed media

'Off to See the Wizard'
6x3" mixed media

'... And the Bees'
3x2" mixed media

'The Bee Keepers'
3x4" mixed media

'Backward'
3x6" mixed media

'Forward'
3x6" mixed media

'Holiday Heck' One
3x6" mixed media

'Holiday Heck' Two
3x6" mixed media

'Break these Chains'
4x3" mixed media

'To the Rescue'
3x4" mixed media

Update!  Only two of these works remain available!  Shop Cactus Gallery online at:  https://cactusgalleryla.com/collections/water-group-show/jen-raven

The Chickens are back ... and setting sail for Cactus Gallery in August!  --As part of a 'Water' themed group exhibit, in conjunction with the 10th Annual Frogtown Art Walk:

My collection of paper fortunes has given sails to a fleet of tiny fortune-cookie ships:

I've named this set of Chicken Adventures 'An Ever Fixéd Mark,' from a line in Shakespeare's Sonnet 116:

"... it is an ever-fixéd mark,
That looks on tempests, and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken."

Take A Chance
8x6x 2 .5"
Shop online with Cactus Gallery
More photos of this work in my gallery

This mixed-media/assemblage project included more work with thermoplastics:  Worbla turned out to be the perfect material for these little wandering barks (their worth's, as-yet, unknown). 

You can see these tiny sailors in person at Cactus Gallery;
'Water' runs August 13 through September 1, 2016.
Or visit Cactus Gallery online at cactusgalleryla.com

Delightful Mysteries
8x6x 2 .5"
Shop online with Cactus Gallery
More photos of this work in my gallery

" ... Love is not love / Which alters when it alteration finds, / Or bends with the remover to remove: / O no! it is an ever-fixéd mark / That looks on tempests and is never shaken; / It is the star to every wandering bark, / Whose worth’s unknown, although his height be taken."

Detail of 'Eyes Open'
8x6x 2 .5"
Shop online with Cactus Gallery

Update:  'Delightful Mysteries' and 'Take a Chance' have sold! 

"Arrange for death to find you in the midst of a great love affair with life; with words and notes; with the dog down on the floor or the rose garden down the street; with the glorious revelation great art leads us to expect. Die in a state of wonder at all there is and all that you didn't manage to get to. It is so gloriously exhausting to live, and I wasted so many opportunities. I want to be in love with things when the tide rolls out." ~Tennessee Williams

Another bee has landed, just in time for 'Symphony of Wings'
group arts exhibit, with Cactus Gallery, Los Angeles.
Featured on beautiful.bizarre.net

'Symphony of Wings' runs June 11 through July 2, 2016

'Blue Monday' in-progress, supervised by Studio Cat.

Included in this project; my first attempt at layering airbrush colors over faux-fur. 

View 'Blue Monday' at cactusgalleryla.com, or at Pinterest. 
See more of my bee artworks here and here
Read more about 'Symphony of 'Wings' at Beautiful Bizarre
Portfolio photographs of my work by Todd Powers

This month, I exhibit with 'Beastly Beings' group show at Cactus Gallery, Los Angeles!

In keeping with my recent trend of bee-themed works, I've created a Beastly Bee:

'Beastly Beings' opens May 14 and runs through June 4, 2016
Cactus Gallery 3001 N. Coolidge Avenue Los Angeles

For this exhibit, participating artists were challenged to focus on "the powerful yet beautiful connectedness of animals, the outside world, and the harsh realities that are the core of human nature." Around that time, I happened to be reading David Whyte, and also some Anaïs Nin; both have written excellent insights into the "struggle between one's longing to be whole, and the acceptance of one's self as a fluid phenomenon" (David Whyte).  Such ongoing conflicts, and their resolutions, are definitely a harsh reality concerning my own human nature.

been meaning to learn worbla for some time, and this was the perfect opportunity; I wanted Bee to 'fly' and so needed her to be light as well as strong. 

Learning a new material on a deadline can be challenging, in more ways than one; 
I was in for a considerable learning experience, and I got to spend some quality time with certain other 'harsh realities' of my own human nature, in the process.  The irony! 

After much trial and error, and several burnt fingers, Bee finally came to life.  She is a mixed-media work including worbla, faux fur, Lutrador paper-fabric, acrylic matte medium, gesso, paint, tulle, embroidery floss, and multiple gauges of wire.

Working details on this piece:  Display chain is removable and adjustable.  Hanging ring is hinged, for removal/replacement.  Bee can fly from this base, or may be displayed from a wall bracket, ceiling hook, or curtain rod.

View 'A Fluid Phenomenon' on Pinterest or at Cactus Gallery.
Photos by Todd Powers.

Photobombs courtesy of Studio Cat.

UPDATE!  Bee has sold, and now has a home with the
Buena Vista Branch Library in Burbank, CA.  Yay! Thank you, CR!

Our 'Glitch' set is a focus on our damaged ecosystems, and the resultant experimentation with mechanized pollinators, which we might need to fill the gap created by bee colony collapse.  Todd and I had a lot of fun playing with the visual elements; tilted, separated canvases to suggest a break in our ecosystems; heavy contrast paired with bleaching of colors, suggestive of interference/static; gear and circuit board body art for the robo-bees we may come to depend on, in the future. 

So many test shoots in such a short time:  Our team has made a real effort, over these last nine months, to learn new techniques and test new ideas with each shoot.  We've come a long way!  In order to further raise awareness about CCD, our team made the decision to show all of our in-progress work on social media; even when our tests didn't turn out as planned.

The Bee Keepers: An ongoing collaborative project in conceptual photography
Series One: Venetus (“clothed in blue.”)

Contributing Artists:

  Jen Raven (Direction; Design; Backdrops; Wardrobe; Body Art) is an artist in acrylics, assemblage, and the performance arts.  She holds a degree in English Literature; her awards include an Arts in the Community Grant from the Arts Council of Kern, and three consecutive Empty Space Awards for Best Gallery Exhibit.  Raven has most recently exhibited with Bunny Gunner Gallery, Claremont; The Gallery at the LRC, UCLA Geffen School of Medicine; and Cactus Gallery, Los Angeles. http://www.jenraven.com

 Todd Powers (Photography; Lighting; Body Art; Editing) is a concepts photographer with a fine arts background.  He studied printmaking, figure-drawing, painting and sculpture at Bakersfield College.  Powers has exhibited his photography with Loft Beats, Pomona; Erns Lab, Upland; and with The Gallery at the LRC, UCLA Geffen School of Medicine.  His work has been published in Bakotopia Magazine, The Bakersfield Californian, and Fashion Bombshell.  http://toddpowersphotography.weebly.com/

 Ande Castaneda (Makeup Design; Hair Styling) is a Bakersfield native, working in Southern California. A self taught makeup artist and formally trained photographer, she also holds four various certifications, two Associate's degrees, and is working toward her first Bachelor's degree in English, as well as her Cosmetology license.  Her work can be seen in music videos, blogs, movies, and magazines internationally. http://www.andecastaneda.com/

  Jessica Alicia Bertrand (Model) lives and works in Southern California.  She is best known for her work as a Tattoo Model, though she is adept in various genres, including Art, Nude, and High Fashion. Jessica's recent publications include Tattoo Erotica (International) Magazine, and a book, "The World's Best Tattoo Models" (Akos Banfalvi). Her performance works include The Rendezvous event, several music videos, and a short fan film, "Camp Crystal Lake," Directed by Rickey Bird.  Quality time with family is a priority in Jessica's life.  In addition to modeling and family, Jessica works full time as a Neuro Rehab Specialist.
To book Jessica for modeling, film, or event: email jessica_b1988@live.com
Jessica on Facebook: www.facebook.com/jessicaaliciabertrand.

 Aileth Bran (Model) is a Art/Alternative model living in Bakersfield CA, where she collaborates with many locally-known fine artists, including Todd Powers, Alex Castaneda, Jen Raven and Crysco Nabisco.  Her most recent public appearances include the HeArts and Hair for Down Syndrome Runway Show with Atomic Kitten Salon at The Nile, Bakersfield, Oct. 2015.  Her work has been published in Project OH! and in Surreal Beauty, Magazines. In addition to modeling, Aileth is an emerging fine artist in acrylics, a four-time participant in the Mental Health Art Show, Bakersfield, and she is currently seeking her tattoo apprenticeship. 
Aileth's Modeling Portfolio: http://thegirlwiththewhitehair.tumblr.com/
Fine Art Portfolio: https://www.facebook.com/AilethBran/.

 April Musick (Model) is a fine arts model living and working in the Central Valley.  She works as a figure model through Project OH! Magazine, in addition to interning for the publication at their local office.  April collaborates routinely with many locally-known fine artists, including Todd Powers, Alex Castaneda, and Rusty Hatfield, whose work can be seen from Las Vegas to Dubai, UAE.   When April isn't modeling, she enjoys spending time with animals, gardening, and practicing yoga.  You can see her collaborative work with other artists at behance.net/rustyhatfield 

It's been especially fun working with model Jessica Bertrand, who discovered she was pregnant, only weeks into the project!  Jessica cheerfully agreed to continue working with us, and allow us to capture her gradual transformation, which is wonderful visually and works so well with our project's theme.  More sets with Jessica will be released as the project continues. 

Most of my individual work in body painting has lately been themed upon bees, as well.  I'm hoping to incorporate some of my traditional brushwork into a future set, in our Bee Keepers series.  Stay tuned!

So many good things in progress right now --Yay!

It's been an especially busy week at The Raven's Nest; we continue to work through photo tests of body painting and costumes for our ongoing project, The Bee Keepers.  In addition to this, I am delighted to report that I will be joining Cactus Gallery's annual tiny works exhibit, "Tiny Treasures X." Exhibit runs November 14 through December 23.

For this exhibit, I've created a new body of tiny works, titled "In Life."  I've borrowed this title from the quote, "In life, we are in death;" I am always appreciative of this reminder to live each day to the fullest.  These are functional artworks --wearable hair and clothing accessories which have bar pins and/or alligator clips on back. 

Also for this exhibit at Cactus Gallery, I've added three new tiny works to my ongoing series, "Flight."

I am a lifelong fan of the works of Roald Dahl.  My tiny work  "A Golden Phizzwizard" is a nod to Dahl's "The BFG."  If you have not read about The Big Friendly Giant, pick up a copy and read it with your kids; it's terrific fun!  

"A Golden Phizzwizard" measures 3x3" and has a sawtooth hanger on back.

Also for "Tiny Treasures X" are works "We Get By (with a little help from our friends)" and also "Guess What (chicken butt!)."

"We Get By (with a little help from our friends)" measures 4.5x3.5" and has a sawtooth hanger on back.  "Guess What (chicken butt!) measures 2.5x3" and also has a sawtooth hanger:

Included, in this busy week; Todd and I have been working with our neighbor, Terri, and with model Aileth Bran, to find homes for two scrappy little survivors we've dubbed Zack and Dragon:

Above:  Model Aileth Bran wearing a creation by Jen Raven, and posing with kittens Dragon (orange, left) and Zack (brown, right).

Their mother was a feral; the litter was abandoned; a stray dog attacked the litter:  Only two of the five kittens survived the attack --somehow they managed to escape unscathed, and Terri eventually found them, hiding in her grapevines.  Terri is fostering them and providing for their Veterinary care; Todd and I have given them Dawn dish soap flea baths, as they were too young for flea medication; and we are now working with Terri to find forever homes for these adorable little fuzzbutts.  Model Aileth Bran volunteered to pose with them, this week, in order to help us get the word out. 

Model Aileth Bran wearing creations by Jen Raven, posing with kitten, Zack.

Both of these adorable kittens are five weeks old, male, and have had their first Vet visit and first shots.  They are free of worms and fleas; their current foster, Terri, has pledged to pay for additional anti-parasite treatments AND will pay to have them neutered, when they are old enough.  If you would like to meet one of these little cuties, and perhaps give him a forever home, please contact Terri at 661. 833. 2675.  Thank you!

Below:  Aileth Bran models "In Life" pieces, created by Jen Raven.

Selections from our concept photo series Pas de Berlin are now on exhibit with Erns Lab, a new arts space in Upland!  Also on exhibit are several of my recent acrylic works, and my creepy creatures in cages.

Erns Lab, the latest brainchild of artist Erns Valdez, is an eclectic creative environment, offering a photography studio, equipment rental, and studio space.  The Lab will also be hosting classes, workshops and small private shows and events.

Erns, an award winning gallery director (and producer of the Mindclouder Music Festival) has recently relocated his arts business from Pomona to Upland.  His last arts space, Loft Beats, was voted 'Best Gallery in the I.E.' two years running by Inland Empire Weekly.  We loved working with Loft Beats in Pomona, and we believe Erns Lab will prove an equally rewarding experience. 

This exhibit will run now through September 24, and every Thursday Erns Lab is open for the Farmer's Market in Historic Downtown Upland, so if you're in the area, be sure to check it out!

Stay tuned for more on our collaborations with Erns; we've got big plans for the future!

For more information about this series, including behind-the-scenes photos:

Epaulement and Avant Sets
Danseuse Set
Joyeux Set 

I've started working on a new series, in ink and acrylic on canvas.  Each piece begins with a rough figurative sketch over written lines of prose or poetry, and then layers of acrylic gesso, paint and more sketch are build up on top of the words. 

Over the last six months, Todd has been teaching himself the art of crafting costume armor pieces out of foam.  He's starting to get pretty good at it, and he's just received his first commission request. 

I am collaborating with Todd on this project; we discussed what our client requested, and I drafted a master pattern for the arm guards, which I then copied onto a square of canvas, to create a sturdy template. 

Todd will use the template to cut and mold foam pieces for the arm guards; he will do the majority of the work on them, from here. 

                  Progress photos, drafting the pattern:

Todd is nearly finished with the arm guards.  His progress:

The arm-guards are nearly finished. 

It's time for me to step in again, and help complete the guards.  Studio Cat is on hand, to supervise. 

Before I stitch the pleather trim together to form straps, I'm sure to wipe a bit of silicone spray over the top of the trim, so that the pleather doesn't catch on the presser foot and wreck the tensions --and break my machine.  I learned that lesson the hard way, a few years back!

After the pleather becomes straps, I sew on the buckles, then we sew and epoxy the straps to the guards.  We add grommets to the straps, Todd pops in the LED lights, and Studio Cat gives her final approval.  The project is complete and the client is ready for Labyrinth Masquerade! 

More progress photos: 

Rawr!  Client Claire Rock is ready for the Labyrinth Masquerade. 

Follow Todd on Facebook, to see more costume armor and other projects. 

Follow my Facebook page, to see more of Studio Cat. 

"I'm so much cuter than that costume armor.  Pay attention to ME."

My first Los Angeles exhibit -and I'm so excited!  This is a mail-in exhibit, with participants sending in work from around the world --Asia, Europe, South America, as well as all over the USA and Canada. 

'PAIN' group exhibit, curated by Ted Meyer, is hosted by The Gallery at the LRC, the David Geffen School of Medicine, UCLA.  In the slide show; my shown works are #90 and #91.

In April, I had postcards created through my PIXELS page, of a few paintings that fit this theme, and I also printed two photos from my first concept shoot as director, which also fit the theme.  Below, a slideshow of how I prepared a few of my works for mailing, and another from the day of the exhibit opening: 

I also created some new work to wear, for the opening reception.  "We get by with a little help from our friends" seemed appropriate, given the overall theme of the exhibit.

"PAIN"runs May 7 through August 30th, 2014, at the David Geffen School of Medicine, UCLA.

'PAIN' group exhibit was also covered by U Magazine, UCLA.

For more information on this exhibit, please visit The Gallery at the LRC.

These last few weeks have been all about the chickens. 

... And also, about paints, fabrics, wires, clock parts ... and plenty of five minute epoxy.

I've been creating a new collection of work, especially for Bunny Gunner Gallery's 'All U Can Eat' small works group exhibit, opening in Claremont CA this weekend, 4.4.14. 

The title of this collection is 'We get by with a little help from our friends,' and each work tells a different set of stories within that theme.

I don't know where I would be, if not for all the help and support I've been fortunate enough to receive, over the years; teachers and mentors, colleagues and patrons, family and friends --these fine people make all the difference.  And I am so grateful. 

My husband makes costume armor out of foam sheets, and the scraps from his work come in handy (or, help me get by! ) when small, delicate pieces like these are ready to ship:  Each one will travel securely within it's own custom-built case, inside the box. 

'All U Can Eat' is a popular exhibit, and many pieces had already flown off the wall by the time we got there ... including a few of my own works!  

Sales had been made, all over the gallery --and with good reason!  The work in this exhibit is consistently excellent, year after year.  I'm so grateful for the opportunity to be included in an exhibit like this, with so many skilled and talented artists. 

Another of my pieces sold, while we were at the exhibit!

Evidence of sales was present all over the gallery, in the form of lovely little red sale stickers, and holes in the neat lines of beautiful artworks, still available for sale. 

"One of the great grounds of study for all of the arts is friendship.  Arrive daily without expectation of your friends, only gratitude and understanding." ~John Gielgud

In May of 2013, I had the pleasure of working with model Jin n' Tonic, for a body painting photo project we titled 'Dandelion.'   I was inspired to continue with the dandelion theme on canvas, and early this year I finished 'Long Way to Somewhere' (acrylic on canvas 10x8"):

'A long way to somewhere' is an homage to the poet David Whyte.; this line was taken from his work, 'Glentrasna,' which spoke to me on a very personal level, as I worked my way through the project.  An excerpt from this poem wound up on the project board, and kept me inspired in the weeks leading up to the shoot.

". . . and horizons held their own unspoken promise,
that grief could be its own cure . . .

. . . as if even the sharpest pain
could be a long way to somewhere after all . . ."

~David Whyte, excerpt from 'Glentrasna'

On a personal level, working with the dandelion theme over the past six months has been wonderfully healing.  I'm so grateful for paint; for poetry; for people. 

Slideshow:  Progression of 'Long Way to Somewhere' (May 24, 2013 - January 1, 2014):

Progression photos of 'long way to somewhere' by Jen Raven
Portfolio photos of 'long way to somewhere' by Todd Powers